Each quotation has one or more key words (~K), the quotation itself (~Q), the name of the actor/actors (~A), the name of the film (~F), and the year the film was released (~Y).
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~K (Soldiers)
~Q I'm learning what it is to be a soldier's wife.
~A Cary Grant
~F I Was a Male War Bride
~Y (1949)~K (Birthdays)
~Q All I can say is thanks to everybody again for remembering me on my birthday.
~A Fredric March
~F The Iceman Cometh
~Y (1973)~K (Speeches)
~Q Bejeeses, I’m no good at speeches.
~A Fredric March
~F The Iceman Cometh
~Y (1973)~K (Apathy)
~Q I took a seat in the grandstand of philosophical detachment to fall asleep observing the cannibals do their death dance.
~A Robert Ryan
~F The Iceman Cometh
~Y (1973)~K (Old-age)
~Q Only don’t think because I’m 60, I’ll be a bigger damned-fool-easy-mark than ever.
~A Fredric March
~F The Iceman Cometh
~Y (1973)~K (Apologies)
~Q Sorry to bust your chops.
~A Woody Harrelson
~F I'll Do Anything
~Y (1994)~K (Integrity)
~Q What's the going price on integrity this week?
~A Orson Welles
~F I'll Never Forget What's 'is Name
~Y (1967)~K (Marriage)
~Q Can't you get the justice to marry us?
Oh, all right, but just this once.
~A Lewis Howard
~A Margaret Hamilton
~F I'm Nobody's Sweetheart Now
~Y (1940)~K (Truth)
~Q Everything I've told you is true.
~A Gloria Talbott
~F I Married a Monster from Outer Space
~Y (1958)~K (Insanity)
~Q I almost wish I were insane.
~A Gloria Talbott
~F I Married a Monster from Outer Space
~Y (1958)~K (Assistance) (Help)
~Q I need help.
~A Gloria Talbott
~F I Married a Monster from Outer Space
~Y (1958)~K (Aliens) (Strangers) (Opponents) (Badges)
~Q They don't wear badges you know.
~A Maxie Rosenbloom
~F I Married a Monster from Outer Space
~Y (1958)~K (Stature) (Little)
~Q I'm not so little. I'm just as high as your heart.
~A Veronica Lake
~F I Married a Witch
~Y (1942)~K (Beginnings)
~Q Aren't you a little late getting started?
~A John Gavin
~F Imitation of Life
~Y (1959)~K (Careers) (Advancement)
~Q I'm going up and up and up, and nobody's gonna pull me down!
~A Lana Turner
~F Imitation of Life
~Y (1959)~K (Reservations) (Love)
~Q You've given me everything but yourself.
~A Sandra Dee
~F Imitation of Life
~Y (1959)~K (Personal)
~Q Do you mind if I get personal?
I don't mind if you get familiar.
~A Cary Grant
~A Mae West
~F I'm No Angel
~Y (1933)~K (Trust)
~Q If I could only trust you.
Hundreds have.
~A Cary Grant
~A Mae West
~F I'm No Angel
~Y (1933)~K (Sophistication) (Dating)
~Q I like sophisticated men to take me out.
I'm not really sophisticated.
You're not really out yet, either.
~A Kent Taylor
~A Mae West
~F I'm No Angel
~Y (1933)~K (Men)
~Q It's not the men in my life, but the life in my men.
~A Mae West
~F I'm No Angel
~Y (1933)~K (Orders) (Menial)
~Q . . . peel me a grape.
~A Mae West
~F I'm No Angel
~Y (1933)~K (Decency)
~Q You haven't a streak of decency in you.
I don't show my good points to strangers.
~A Gertrude Michael
~A Mae West
~F I'm No Angel
~Y (1933)~K (Love) (Romance)
~Q I lived a few weeks while you loved me.
~A Gloria Grahame>BR> ~F In a Lonely Place
~Y (1950)~K (Direction) (Leadership) ~Q Follow me. I know exactly where I’m going.
~A Pauly Shore
~F In the Army Now
~Y (1994)~K (Orders) (Decisions) (Results) (Outcome)
~Q You have to tell us what to do.
What if I’m wrong?
Then we die.
~A Lori Petty
~A Pauly Shore
~F In the Army Now
~Y (1994)~K (Bartering) (Selling) (Negotiations)
~Q And you ask me how could it be? Why such a deal? Because we’re crazy boys. We’re giving it away.
~A Pauly Shore
~F In the Army Now
~Y (1994)~K (Drugs) (Pain)
~Q The morphine the better.
~A Esai Morales
~F In the Army Now
~Y (1994)~K (Happiness)
~Q You ought to be damned pleased with yourselves.
~A Lynn Whitfield
~F In the Army Now
~Y (1994)~K (Negotiations) (Winning)
~Q It’s a win-win situation.
~A Pauly Shore
~F In the Army Now
~Y (1994)~K (Offers)
~Q Suppose I offered you one million dollars for one night with your wife. . .
~A Robert Redford
~F Indecent Proposal
~Y (1993)
~K (Nearness) (Aliens)
~Q Now that’s what I call a close encounter.
~A Will Smith
~F Independence Day
~Y (1996)~K (Desires) (Wants) (Needs)
~Q I have got to get me one of these!
~A Will Smith
~F Independence Day
~Y (1996)~K (The past) (Beliefs) (Accomplishments)
~Q Who cares what you believe? I care about what you've done.
~A Harrison Ford
~F Indiana Jones and the Last Crusade
~Y (1989)~K (Action) (Preparation) (Questions)
~Q No time for questions, just action.
~A Harrison Ford
~F Indiana Jones and the Last Crusade
~Y (1989)~K (The present)
~Q Trouble is--there's no getting away from the present.
~A Harrison Ford
~F Indiana Jones and the Last Crusade
~Y (1989)~K (Talking)
~Q I'm allowing you to tag along, so why don't you give your mouth a rest. . .
~A Harrison Ford
~F Indiana Jones and the Temple of Doom
~Y (1984)~K (Size)
~Q Everybody's so big.
~A David Keith
~F The Indian in the Cupboard
~Y (1995)~K (Reality)
~Q You are so real.
~A Hal Scardino
~F The Indian in the Cupboard
~Y (1995)~K (People)
~Q You can't use people.
~A Hal Scardino
~F The Indian in the Cupboard
~Y (1995)~K (Magic)
~Q You should not do magic you do not understand.
~A Litefoot
~F The Indian in the Cupboard
~Y (1995)~K (Camping) (Suntans)
~Q I forgot how good you are at all this camp stuff. I was never good at it. I always had a good tan, though. . . that's important.
~A Elizabeth Perkins
~F Indian Summer
~Y (1993)~K (Attitudes)
~Q I plan on being nothing but delightful this whole week, so I would appreciate it if you don't pin an attitude on me until I've earned it.
~A Elizabeth Perkins
~F Indian Summer
~Y (1993)~K (Death) (Relationships)
~Q Death ends a life. But it does not end a relationship.
~A Gene Hackman
~F I Never Sang for My Father
~Y (1969)~K (Affairs)
~Q How dare he make love to me and not be a married man.
~A Ingrid Bergman
~F Indiscreet
~Y (1958)
~K (Hell) (Devil)
~Q Hello, Devil. Welcome to Hell.
~A Gene Kelly
~F Inherit the Wind
~Y (1960)~K (Dreams)
~Q What do you dream about? What. . . what do you need?
~A Spencer Tracy
~F Inherit the Wind
~Y (1960)~K (Emotions)
~Q What warms you? What touches you?
~A Spencer Tracy
~F Inherit the Wind
~Y (1960)~K (Alone)
~Q You’re all alone. When you go to your grave, there won’t be anybody to pull the grass up over your head. Nobody to mourn you. Nobody to give a damn. You’re all alone.
~A Spencer Tracy
~F Inherit the Wind
~Y (1960)~K (Children) (Safety)
~Q From now on, we must never let them out of our sight.
~A Deborah Kerr.
~F The Innocents.
~Y (1961)~K (Help) (Assistance) (Missionary work).
~Q I can help out there..
~A Ingrid Bergman.
~F Inn of the Sixth Happiness.
~Y (1958)~K (Jobs) (Money).
~Q I'm cleaning a lazy woman's kitchen this afternoon, bless her.
~A Ingrid Bergman
~F Inn of the Sixth Happiness
~Y (1958)~K (Beautiful)
~Q Once in her life, every woman should have that said to her. I thank you for being the one who said it to me.
~A Ingrid Bergman
~F Inn of the Sixth Happiness
~Y (1958)~K (Teachers) (Careers)
~Q I want to be a teacher, that's all.
~A Bradford Dillman
~F In Love and War
~Y (1958)~K (Yesterday) (Tomorrow) (Common)
~Q That's all people have in common -- yesterday and tomorrow.
~A France Nuyen
~F In Love and War
~Y (1958)~K (Lust) (Dancing)
~Q This character's got to dance or take a cold shower.
~A Sheree North
~F In Love and War
~Y (1958)~K (Beginnings)
~Q When do we hit the beach, baby.
~A Robert Wagner
~F In Love and War
~Y (1958)~K (Barbers)
~Q A woman has as much right to be a barber as a man. This business needs new blood.
Well, you don't have to take mine!
~A Mable Todd
~A Lou Costello
~F In Society
~Y (1944)~K (Graves) (Presidents)
~Q I see you standing over the grave of another dead president.
~A John Malkovich
~F In the Line of Fire
~Y (1993)~K (Darkness) (Demons)
~Q What do you see in the dark when the demons come out?
~A Clint Eastwood
~F In the Line of Fire
~Y (1993)~K (Fighting) (Reasons)
~Q Each of us knows twice as much about fighting, and each of us has twice as good a reason to fight.
~A Noel Coward
~F In Which We Serve
~Y (1942)~K (Death) (Glory)
~Q If they had to die, what a grand way to go!
~A Noel Coward
~F In Which We Serve
~Y (1942)~K (Service) (Employees) (Co-workers)
~Q I should like to add that there isn't one of you that I wouldn't be proud and honored to serve with again.
~A Noel Coward
~F In Which We Serve
~Y (1942)~K (Hell) (Others)
~Q Hell is other people.
~A Richard Gere
~F Intersection
~Y (1993)~K (Advantages)
~Q I guess that's what you call a home court advantage.
~A Lolita Davidovich
~F Intersection
~Y (1993)~K (Boats)
~Q My uncle used to say, "Being on a boat is like being in jail with a chance of drowning."
~A Lolita Davidovich
~F Intersection
~Y (1993)~K (Lines) (Stories) (Introductions)
~Q Why don't we just trade stories?
I think I've heard yours.
~A Richard Gere
~A Lolita Davidovich
~F Intersection
~Y (1993)~K (Kindness) (Perfection)
~Q Yes, this is it. This is the one I was looking for.
~A Richard Gere
~F Intersection
~Y (1993)~K (Self-awareness)
~Q You are what you are.
~A Tom Cruise
~F Interview with the Vampire
~Y (1994)~K (Aliens)
~Q Why do we always expect them to come in metal ships?
~A Veronica Cartwright
~F Invasion of the Body Snatchers
~Y (1978)
~K (Drugs)
~Q The drugs I took seemed to light up my brain.
~A Claude Rains
~F The Invisible Man
~Y (1933)~K (Nosiness) (Meddling)
~Q I meddled in things that man must leave alone.
~A Claude Rains
~F The Invisible Man
~Y (1933)~K (Knowledge)
~Q I shall offer my secret to the world. I will sell it for millions.
~A Claude Rains
~F The Invisible Man
~Y (1933)~K (Drugs) (Explosives) (Bombs)
~Q Just a few chemicals, mixed together. That's all it takes.
~A Claude Rains
~F The Invisible Man
~Y (1933)~K (Beginnings)
~Q We'll start with a few murders. Big men. Little men. Just to show we make no distinction.
~A Claude Rains
~F The Invisible Man
~Y (1933)
~K (Promotion)
~Q Is this a promotion, sir?
~A Michael Caine
~F The Ipcress File
~Y (1965)~K (Times) (Relativity)
~Q Well, I figure since time doesn't exist, why wear a watch?
~A Tim Robbins
~F I.Q.
~Y (1994)~K (Risks) (Death)
~Q What could happen? So you die a little.
~A Tim Robbins
~F I.Q.
~Y (1994)~K (Life) (Death) (Bankruptcy)
~Q I believe you die when you can't stand it anymore -- you take as much as you can and then you die.
~A Meryl Streep
~F Ironweed
~Y (1987)~K (Drink) (Sex)
~Q I'm not a drunk and I'm not a whore, and I never let a man use me for money. . .
~A Meryl Streep
~F Ironweed
~Y (1987)~K (Betrayal) (Morals)
~Q I never ever betrayed anybody and that's what counts.
~A Meryl Streep
~F Ironweed
~Y (1987)~K (Wine)
~Q What if I did drink too much wine -- whose business is that anyway?
~A Meryl Streep
~F Ironweed
~Y (1987)~K (Drink)
~Q Who knows how much I didn't drink?
~A Meryl Streep
~F Ironweed
~Y (1987)~K (Animals) (Horses)
~Q The horse's four legs are in front? What's those things in back -- crutches?
~A Lou Costello
~F It Ain't Hay
~Y (1942)~K (Motherhood) (Animals)
~Q How can a he be a mudder?
~A Lou Costello
~F It Ain't Hay
~Y (1942)~K (Friends) (Fear)
~Q Don't be afraid. Your friend will be all right.
~A Russell Johnson
~F It Came From Outer Space
~Y (1953)~K (Surveillance)
~Q I feel uneasy. As if we were being watched.
~A Barbara Rush
~F It Came From Outer Space
~Y (1953)~K (Boats)
~Q It was a ship! I saw it!
~A Richard Carlson
~F It Came From Outer Space
~Y (1953)~K (Information) (Knowledge)
~Q I wish now I'd kept my mouth shut.
~A Richard Carlson
~F It Came From Outer Space
~Y (1953)~K (Hiding) (Physical attributes)
~Q Why do you hide behind other people's bodies?
~A Richard Carlson
~F It Came From Outer Space
~Y (1953)
~K (Information)
~Q I've got something to tell you.
~A Nicolas Cage
~F It Could Happen to You
~Y (1994)~K (Division)
~Q Why'd you stop at half? Why didn't you just give her all the money?
~A Rosie Perez
~F It Could Happen to You
~Y (1994)~K (Fairy Tale)
~Q What you did was like a fairy tale.
~A Bridgett Fonda
~F It Could Happen to You
~Y (1994)
~K (Writing) (Books)
~Q Expert! I’m going to write a book about it.
~A Claudette Colbert
~F It Happened One Night
~Y (1934)~K (Recognition) (Automobiles)
~Q Why didn’t you take all your clothes off? You could have stopped 40 cars.
~A Clark Gable
~F It Happened One Night
~Y (1934)~K (Age) (Job)
~Q He's been a young man in my office for a long time.
~A Vittorio De Sica
~F It Started in Naples
~Y (1960)~K (Lawyers) (Pigs)
~Q I'm a lawyer.
You're a pig.
A man can be a lawyer and a pig at the same time.
~A Vittorio De Sica
~A Sophia Loren
~F It Started in Naples
~Y (1960)~K (Change) (Stability)
~Q Well, I'm sure nothing's changed.
~A Clark Gable
~F It Started in Naples
~Y (1960)~K (Actress)
~Q You see, I'm really an actress.
~A Sophia Loren
~F It Started in Naples
~Y (1960)~K (Fashion)
~Q I don’t want people I don’t know to see me without a hat. . .
~A Olga Tchekowa
~F The Italian Straw Hat
~Y (1928)
~K (Starting-over)
~Q Get me back. Get me back. I don't care what happens to me. Get me back to my wife and kids.
~A James Stewart
~F It's a Wonderful Life
~Y (1946)~K (Beginnings)
~Q How does anything like this start?
~A Thomas Mitchell
~F It's a Wonderful Life
~Y (1946)~K (Job) (Offers)
~Q I don't need twenty-four hours. I don't have to talk to anyone. I know right now. The answer is no! No! If you offered me a million to stay in this town and play stooge for you, the answer would still be no.
~A James Stewart
~F It's a Wonderful Life
~Y (1946)~K (Adventure)
~Q I'm going out exploring some day, you watch.
~A James Stewart
~F It's a Wonderful Life
~Y (1946)~K (Change) (Small towns)
~Q Nothing ever changes here, don't you know that?
~A Thomas Mitchell
~F It's a Wonderful Life
~Y (1946)~K (Convictions)
~Q . . . you'll always be one of those blasted little men with tough convictions. The kind that hasn't got sense enough to get out of the way.
~A Lionel Barrymore
~F It's a Wonderful Life
~Y (1946)~K (Position) (Money)
~Q You sit here and spin your webs and think the whole world revolves around you and your money. Well, it doesn't. . . In the vast configuration of things I'd say you were nothing but a scurvy little spider.
~A James Stewart
~F It's a Wonderful Life
~Y (1946)~K (Luck) (Possession)
~Q Are you keeping the car?
Yeah, for good luck.
~A Claudette Colbert
~A James Stewart
~F It's a Wonderful World
~Y (1939)~K (Killing)
~Q Have you killed a number of people?
Not yet.
~A Claudette Colbert
~A James Stewart
~F It's a Wonderful World
~Y (1939)~K (Needs)
~Q I need you as much as I need a giraffe.
~A James Stewart
~F It's a Wonderful World
~Y (1939)~K (Oaths)
~Q I swear by my eyes.
~A Claudette Colbert
~F It's a Wonderful World
~Y (1939)~K (Money) (Goals)
~Q Once you start after ten million, you have to keep going.
~A Sidney Blackmer
~F It's a Wonderful World
~Y (1939)~K (Apples)
~Q They're tame apples, you don't have to shoot them.
~A James Stewart
~F It's a Wonderful World
~Y (1939)~K (Money)
~Q Will you love me a little bit more when I'm a ten million dollar widow?
~A Frances Drake
~F It's a Wonderful World
~Y (1939)~K (Disliked)
~Q You're the most loathsome human being I've ever met.
Same to you.
~A Claudette Colbert
~A James Stewart
~F It's a Wonderful World
~Y (1939)~K (Poets)
~Q You're a poetess, huh? Well, I dunno. . . I guess some people are just born unlucky.
~A James Stewart
~F It's a Wonderful World
~Y (1939)~K (Manners)
~Q What are manners? Little rules for little people!
~A Olivia de Havilland
~F It's Love I'm After
~Y (1937)~K (Life) (Begging)
~Q Don't beg for my life.
~A Susan Hayward
~F I Want to Live!
~Y (1959)~K (Dying) (Fear)
~Q I'm not afraid to die.
~A Susan Hayward
~F I Want to Live!
~Y (1959)~K (Hands-off)
~Q . . . nobody's going to go pawing all over me. I'm through with all that stuff.
~A Susan Hayward
~F I Want to Live!
~Y (1959)~K (Coming out)
~Q Don't badger me! You will walk among people when I feel the time is ready!
~A Whit Bissell
~F I Was a Teenage Frankenstein
~Y (1957)~K (Normal) (Teenagers)
~Q He'll pass for a normal, quite attractive teenager.
~A Whit Bissell
~F I Was a Teenage Frankenstein
~Y (1957)~K (Knowledge)
~Q I know what's best for you.
~A Whit Bissell
~F I Was a Teenage Frankenstein
~Y (1957)~K (Sewing)
~Q I know you have a civil tongue in your head -- I sewed it there myself.
~A Whit Bissell
~F I Was a Teenage Frankenstein
~Y (1957)~K (Teenagers)
~Q It seems we have a very sensitive teenager on our hands.
~A Whit Bissell
~F I Was a Teenage Frankenstein
~Y (1957)~K (Thoughtfulness)
~Q I was thinking of your welfare entirely.
~A Whit Bissell
~F I Was a Teenage Frankenstein
~Y (1957)~K (Supplies)
~Q Now I have to get two hands and a right leg.
~A Whit Bissell
~F I Was a Teenage Frankenstein
~Y (1957)~K (Youth) (Salvation)
~Q The old are dying and dead. The whole trend is towards death. . . Only in youth is there any hope for the salvation of mankind.
~A Whit Bissell
~F I Was a Teenage Frankenstein
~Y (1957)~K (Partnerships)
~Q I'm the pilot, you're the passenger.
~A Whit Bissell
~F I Was a Teenage Werewolf
~Y (1957)
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