Reel Comments: Movie Quotations Starting With F - Quotable Lines From the Movies

Reel Comments
Quotable Lines From The Movies
Movies Starting with "F"

Look beneath the following banners and links to find movie quotations from movies that start with the letter "F."

Each quotation has one or more key words (~K), the quotation itself (~Q), the name of the actor/actors (~A), the name of the film (~F), and the year the film was released (~Y).

You may use the "find" command from your pull-down "edit" feature on Internet Explorer. Type in a key word, the name of an actor, or the title of the movie to help your search for just the right quotation you're looking for.

~K (Viewpoints)
~Q Sometimes I wish I could see the world as you do.
~A Peter Lorre
~F The Face Behind the Mask
~Y (1957)
~K (Attitudes) (Vicious) (Men)
~Q Didn't you know? All mild men are vicious. They hate themselves for being mild and they hate the windy extroverts whose violence seems to have a strange attraction for nice girls who should know better.
~A Walter Matthau
~F A Face in the Crowd
~Y (1957)
~K (Entertainers)
~Q I'm not just an entertainer, I'm an influence. . . A force! A force!
~A Andy Griffith
~F A Face in the Crowd
~Y (1957)
~K (Enjoyment)
~Q Oh, it's wonderful!
~A Andy Griffith
~F A Face in the Crowd
~Y (1957)
~K (Public relations)
~Q The world shall hear from me again.
~A Christopher Lee
~F The Face of Fu Manchu
~Y (1965)
~K (Rudeness) (Charm)
~Q It takes a very unusual woman to be rude and charming at the same time.
~A Tom Conway
~F The Falcon and the Co-eds
~Y (1943)
~K (Beauty) (Lies)
~Q You’re as beautiful as the day I met you.
~A Ryan O’Neal
~F Faithful
~Y (1996)
~K (Misery)
~Q The difference is you're mucking around in other people's misery. When you rob someone legally, without risk, without sticking your neck out. . . that's immoral.
~A Sean Connery
~F Family Business
~Y (1989)
~K (Prison)
~Q If you can't do the time, don't do the crime.
~A Sean Connery
~F Family Business
~Y (1989)
~K (Expression) (Creativity)
~Q Freedom of expression’s a wonderful thing.
~A Kevin Costner
~F Fandango
~Y (1985)
~K (Bridges) (Past)
~Q I believe I’ve burned up all my bridges.
~A Sam Robards
~F Fandango
~Y (1985)
~K (Love) (Women)
~Q I’ve never been serious about a woman in my life, son.
~A Kevin Costner
~F Fandango
~Y (1985)
~K (Effort) (Adventure)
~Q Nobody cares about epic adventures, anymore.
~A Judd Nelson
~F Fandango
~Y (1985)
~K (Military) (Uniforms)
~Q That uniform is my ticket to some kind of future.
~A Judd Nelson
~F Fandango
~Y (1985)
~K (Direction) (Goals) (Youth)
~Q There’s nothing wrong with going nowhere, son. It’s the privilege of youth.
~A Kevin Costner
~F Fandango
~Y (1985)
~K (Effort) (Pain)
~Q Tough it out, son. Tough it out.
~A Kevin Costner
~F Fandango
~Y (1985)
~K (Irresponsible)
~Q You are the most irresponsible person I’ve ever met.
Well, somebody had to be.
~A Judd Nelson
~A Kevin Costner
~F Fandango
~Y (1985)
~K (Transportation)
~Q Wouldn't it have been easier to call a cab, Mum?
~A Bob Hope
~F Fancy Pants
~Y (1950)

Far and Away

Set in Ireland, Joseph is a poor tenant farmer determined to bring justice to an oppressive landlord. Instead, he finds himself accompanying the landlord's daughter, Shannon, to America in a quest for land. In the excitement of the Oklahoma land rush, they realize their dreams of land and life together. See Cimarron for an interesting comparison.

~K (Ireland)
~Q I'm of Ireland, and I'll stay in Ireland 'til I die.
That will be in about five hours.
~A Tom Cruise
~A Nicole Kidman
~F Far and Away
~Y (1992)
~K (Clothes) (Fashion)
~Q Why can't ye say ye like me hat? Why can't ye say ye like me suit? I've earned this.
~A Tom Cruise
~F Far and Away
~Y (1992)

Farewell, My Lovely

Another detective story by Raymond Chandler set in the 1940's has Phillip Marlowe on two cases, searching for a thug's girl and a jade necklace at the same time. What Marlowe doesn't realize is that the two seemingly unrelated cases are actually one and the same. Third remake of the story after The Falcon Takes Over (1942) and Murder, My Sweet (1945). Although the original sequel The Big Sleep (1946) was set in Los Angeles, the 1977 remake (again with Mitchum) was set in London.

~K (Fainting) (Knocked-out) (Passes-out)
~Q A black pool opened up at my feet. I dived in. It had no bottom.
~A Dick Powell
~F Farewell My Lovely
~Y (1944)
~K (Bloating) (Fingers) (Bananas)
~Q My fingers looked like a bunch of bananas.
~A Dick Powell
~F Farewell My Lovely
~Y (1944)
~K (Fashion) (Problems) (Clothes)
~Q You're a tough guy. You've been sapped twice, choked, beaten silly with a gun, shot in the arm until you're crazy as a couple of waltzing mice. Now let's see you do something really tough -- like putting your pants on.
~A Dick Powell
~F Farewell My Lovely
~Y (1944)

Fargo

Poor Jerry Lundegaard. He's deep in debt. His wealthy father-in-law has no respect for him. He cheats customers at the car dealership where he works. And now he's hired a bumbling duo to kidnap his wife--a plan that goes horribly awry, leading to homicide.

Fargo And Barton Fink

Fargo And Barton Fink

~K (Debate) (Discussion)
~Q I’m not going to sit here and debate.
~A Steve Buscemi
~F Fargo
~Y (1996)
~K (Sickness) (Disgust)
~Q No, I just think I’m going to barf.
~A Frances McDormand
~F Fargo
~Y (1996)
~K (Instructions)
~Q I gave simple fucking instructions!
~A Steve Buscemi
~F Fargo
~Y (1996)
~K (Work) (Rudeness)
~Q Sir, you have no call to get snippy with me. I’m just doing my job here.
~A Frances McDormand
~F Fargo
~Y (1996)
~K (Life) (Money)
~Q There’s more to life than a little money, you know.
~A Frances McDormand
~F Fargo
~Y (1996)

Fast Times at Ridgemont High

Cameron Crowe went undercover in a southern California high school to document the hilarious hijinx of teens in the eighties. Heckerling turned his book into a classic teen comedy, equal parts sex, stoners, sensitivity and satire. Many of the young cast went on to Hollywood fame. A milestone.

~K (Traveling)
~Q I'm headed over to Australia, then the Hawaiian Internationals, then me and Mick are gonna wing on over to London and jam with the Stones. . . and you guys are invited too!
~A Sean Penn
~F Fast Times at Ridgemont High
~Y (1982)
~K (Tools) (Television repair)
~Q Relax, all right? My old man is a television repairman. He's got the ultimate set of tools. I can fix it.
~A Sean Penn
~F Fast Times at Ridgemont High
~Y (1982)
~K (Surfing)
~Q Well. . . I'll tell ya -- surfing's not just a sport, it's a way of life. No hobby, it's a way of looking at that wave and saying, "Hey bud, let's party."
~A Sean Penn
~F Fast Times at Ridgemont High
~Y (1982)
~K (Sex) (Elevators)
~Q Ever done it in an elevator?
~A Michael Douglas
~F Fatal Attraction
~Y (1987)
~K (Empathy) (Lust)
~Q I feel you. I taste you. I think you. I touch you.
~A Glenn Close
~F Fatal Attraction
~Y (1987)
~K (Ignored)
~Q I won't be ignored.
~A Glenn Close
~F Fatal Attraction
~Y (1987)
~K (Respect)
~Q I’m going to be the mother of your child. I want a little respect.
~A Glenn Close
~F Fatal Attraction
~Y (1987)
~K (Rationing)
~Q From here on her love would be doled out like a farmer's wife tossing scraps to a family rooster.
~A Spencer Tracy
~F Father of the Bride
~Y (1950)
~K (Clothes) (Diet)
~Q If that button gives way, it's going to put out somebody's eye.
~A Joan Bennett
~F Father of the Bride
~Y (1950)
~K (Weddings)
~Q I would like to say a few things about weddings. . .
~A Spencer Tracy
~F Father of the Bride
~Y (1950)
~K (Foretelling)
~Q Mark my words -- this is going to end in tragedy.
~A Spencer Tracy
~F Father of the Bride
~Y (1950)
~K (Calm)
~Q Nothing ever fazes you, does it?
~A Elizabeth Taylor
~F Father of the Bride
~Y (1950)
~K (Dependence)
~Q There's not a thing to worry about. Not a -- not a thing. Whenever you've been bothered, I've always been around, haven't I?
~A Spencer Tracy
~F Father of the Bride
~Y (1950)
~K (Marriage)
~Q . . . a wedding was a simple affair. . . boy and girl meet, they fall in love, he buys a ring, she buys a dress. . . I was wrong.
~A Steve Martin
~F Father of the Bride
~Y (1991)
~K (Diets) (Hunger) (Food)
~Q I get a little hungry.
~A Dom DeLuise
~F Fatso
~Y (1980)

FEAR CITY

DVD Features: Region 1 Keep Case Anamorphic Widescreen - 1.85 Single Side - Dual Layer Audio: Dolby Digital Mono 2.0 - English Additional Release Material: Trailers - 1. Original Theatrical Traile

~K (Talking) (Discussion)
~Q You should have talked to me more.
Sometimes, I can't find the right words.
Sometimes, there aren't any.
~A Melanie Griffith
~A Tom Berenger
~F Fear City
~Y (1984)

Fearless

A middleaged architect with conventional views finds his perspective on life dramatically shifted when he is one of few survivors of a disastrous plane crash. Based on the novel by Rafael Yglesias. Academy Award Nominations: Best Supporting Actress--Rosie Perez.

~K (Lies) (Truth)
~Q I don't want to tell any lies.
~A Jeff Bridges
~F Fearless
~Y (1993)
~K (Inappropriate) (Inadequate) (Wrong)
~Q This is inappropriate.
~A John Turturro
~F Fearless
~Y (1993)
~K (Support) (Direction)
~Q If it hadn't been for him standing behind me and pushing me and driving me, I wouldn't be where I am today!
~A Tony Perkins
~F Fear Strikes Out
~Y (1957)
~K (Women)
~Q You know, a long time ago I decided to travel the same open road that men travel.
~A Ruth Chatterton
~F Female
~Y (1933)
~K (People skills)
~Q I bet all your friends say you have a wonderful way with people.
~A Joan Crawford
~F The Female on the Beach
~Y (1955)
~K (Physical threats)
~Q I hope you don't bruise easily.
~A Joan Crawford
~F The Female on the Beach
~Y (1955)
~K (Apologies)
~Q I know it’s considered noble to accept apologies, but I’m afraid I’m not the noble type.
~A Joan Crawford
~F The Female on the Beach
~Y (1955)
~K (Price) (Men)
~Q I wouldn't take you if you were covered in diamonds -- upside down.
~A Joan Crawford
~F The Female on the Beach
~Y (1955)
~K (Imagination)
~Q Well, I have such a nasty imagination.
~A Joan Crawford
~F The Female on the Beach
~Y (1955)
~K (Friendly)
~Q You're about as friendly as a suction pump.
~A Joan Crawford
~F The Female on the Beach
~Y (1955)
~K (Coffee) (Trouble)
~Q You won't have to trouble about me anymore. I've learned how to work the coffee pot.
~A Joan Crawford
~F The Female on the Beach
~Y (1955)

Ferris Bueller's Day Off

Conniving Shermer, Ill. high school student Bueller spends his ninth school absence in the company of his kvetchy best friend Cameron and girlfriend Sloane, tearing through downtown Chicago on a mad quest for fun. The ruse seems perfect, right down to Cameron's dad's borrowed Ferrari, but Ferris' nemesis, high school principal Ed Rooney, is determined to bring the truants to justice.

~K (Up-tight)
~Q . . . if you stuck a piece of coal up his ass in two weeks you'd have a diamond.
~A Matthew Broderick
~F Ferris Bueller's Day Off
~Y (1986)

A Few Good Men: Sepcial Edition

When two marines are charged with murdering a member of their platoon during an unsanctioned disciplinary action in Guantanamo Bay, Cuba, the armed forces hire a lieutenant they believe is a lightweight defense attorney. Lieutenant Daniel Kaffee (Tom Cruise) prides himself in having successfully plea-bargained every one of his 44 cases and would just as well make this one his 45th. However, ambitious internal affairs officer Lieutenant Commander Jo Ann Galloway (Demi Moore) smells a rat.

~K (Orders)
~Q Did you order the "Code Red?"
~A Tom Cruise
~F A Few Good Men
~Y (1992)
~K (Truth)
~Q You can't handle the truth!
~A Jack Nicholson
~F A Few Good Men
~Y (1992)

Field of Dreams

A struggling Iowa farmer (Costner) obeys a mysterious voice in his cornfield that tells him to replace part of his crop with a baseball diamond resulting in the magical meeting of baseball heroes from the past. Mystical forces are at play here as ghosts of other sorts are confronted.

KEVIN COSTNER (2PK)

FIELD OF DREAMS: DVD Features: Region 1 Keep Case Letterboxed - 1.85 Dual Layer Audio: Dolby Digital 3.0 - English Dolby Digital 3.0 - French Additional Release Material: Audio Commentary Behind The Scenes Footage Text/Photo Galleries: Screenplay Additional Text - 1. Articles about the Real Moonlight Graham snf FIELD OF DREAMS Location in Iowa Additional Products: Video Scapbook FOR LOVE OF THE GAME: DVD Features: Region 1 Keep Case Anamorphic Widescreen - 2.35 Single Side - Dual La

~K (Stories) (Bedtime)
~Q Instead of Mother Goose, I was put to bed at night to stories of Babe Ruth, Lou Gehrig, and the great "Shoeless Joe Jackson."
~A Kevin Costner
~F Field of Dreams
~Y (1989)
~K (Baseball)
~Q I'm 36 years old, I love baseball. . . and I'm about to become a farmer. . . but until I heard the voice, I'd never done a crazy thing in my whole life.
~A Kevin Costner
~F Field of Dreams
~Y (1989)

Fierce Creatures

The scatterbrained story of a frantic English zookeeper whose demesne is threatened by a tightfisted downsizing Australian media mogul. A visit by the mogul's bumbling son prompts a rash of changes at the zoo, including the order that the animals be made more fierce. Although it features the cast of A Fish Called Wanda, this film is not a sequel.

~K (Breasts) (Beauty)
~Q Are those breasts real?
~A Kevin Kline
~F Fierce Creatures
~Y (1996)
~K (Love making)
~Q How did he get three girls? Where does the third one go?
~A Kevin Kline
~F Fierce Creatures
~Y (1996)
~K (Marketing) (Perception)
~Q Oh, I was just changing his perception of the situation. First law of marketing.
~A Kevin Kline
~F Fierce Creatures
~Y (1996)
~K (Discussion) (Females)
~Q This is the kind of conversation two people have when one of them is female.
~A Kevin Kline
~F Fierce Creatures
~Y (1996)
~K (Goals) (Ambition)
~Q . . . you better be careful dressed like that around here. People will think you’re sleeping your way to the top.
Just as long as they don’t think I’m sleeping my way to the middle.
~A Kevin Kline
~A Jamie Leigh Curtis
~F Fierce Creatures
~Y (1996)
~K (Fear)
~Q The bastard may not love me, but after this, he'll fear me.
~A Beau Bridges
~F The Fifth Musketeer
~Y (1979)
~K (Embezzling)
~Q It's the treasury you're robbing, not me.
~A Beau Bridges
~F The Fifth Musketeer
~Y (1979)
~K (Love)
~Q She will never love you as I do.
~A Ursula Andress
~F The Fifth Musketeer
~Y (1979)
~K (Property) (Real estate)
~Q You're a man of property, now.
~A Ian McShane
~F The Fifth Musketeer
~Y (1979)
~K (Courting)
~Q I wooed you rich and I wooed you poor.
~A Douglas Fairbanks, Jr.
~F The Fighting O'Flynn
~Y (1949)
~K (Cities) (Dublin) (Destinations)
~Q I'm going to Dublin. You may go where you wish.
~A Richard Greene
~F The Fighting O'Flynn
~Y (1949)
~K (Money) (Ireland) (Cities)
~Q That would buy all the clay pipes in Kilkinney.
~A Douglas Fairbanks, Jr.
~F The Fighting O'Flynn
~Y (1949)
~K (Opportunity)
~Q The field is clear for the moment.
~A Douglas Fairbanks, Jr.
~F The Fighting O'Flynn
~Y (1949)>
~K (Ireland) (Support)
~Q The thirteen Irish saints are on our side.
~A Douglas Fairbanks, Jr.
~F The Fighting O'Flynn
~Y (1949)

FIGHTING SEABEES

DVD Features Region 1 Full Frame - 1.33

~K (Preparation) (Supplies) (Trouble)
~Q All they want is something in their hand when the trouble starts.
~A John Wayne
~F The Fighting Seabees
~Y (1944)
~K (Ships)
~Q I’ll be there right on the pier.
~A John Wayne
~F The Fighting Seabees
~Y (1944)
~K (Habits) (Meetings)
~Q Let’s not make this a habit.
~A Susan Hayward
~F The Fighting Seabees
~Y (1944)
~K (Pleasure)
~Q What do you do for an encore?
~A Dennis O’Keefe
~F The Fighting Seabees
~Y (1944)
~K (Nice) (Relationships) (Bad)
~Q When he’s nice he’s very very nice and when he’s not, he’s stinkin’.
~A Susan Hayward
~F The Fighting Seabees
~Y (1944)
~K (Dreams)
~Q I had that dream again. . . I'm arranging flowers on a table for a centerpiece.
~A Uma Thurman
~F Final Analysis
~Y (1992)
~K (Solutions)
~Q I almost had it.
~A Sean Connery
~F A Fine Madness
~Y (1966)
~K (Stars)
~Q Stars are fragile stuff.
~A Sean Connery
~F A Fine Madness
~Y (1966)
~K (Creativity) (Thinking)
~Q Think! Use your imagination.
~A Sean Connery
~F A Fine Madness
~Y (1966)
~K (Individuality)
~Q What factory turned you out?
~A Sean Connery
~F A Fine Madness
~Y (1966)
~K (Women)
~Q Women don’t like to listen to other women.
~A Joanne Woodward
~F A Fine Madness
~Y (1966)
~K (Books) (Reading)
~Q You want me to read to housewives and mothers?
~A Sean Connery
~F A Fine Madness
~Y (1966)
~K (Beauty)
~Q Armies have marched over me.
~A Rita Hayworth
~F Fire Down Below
~Y (1957)
~K (Faith)
~Q We have faith that you're going to be with us for a long, long time. . . fact is, nobody has ever left us.
~A Hal Holbrook
~F The Firm
~Y (1993)

First Blood

After being arrested for a crime which he did not commit, a Green Beret survivor of the Vietnam War begins having terrible nightmares. This gripping, action-packed tale demonstrates the tragic psychological consequences of armed struggle. Sequel: Rambo: First Blood Part II.

~K (Vietnam) (Jobs)
~Q Back there, I could fly a gunship, I could drive a tank, I was in charge of million dollar equipment. Back here I can't even hold a job.
~A Sylvester Stallone
~F First Blood
~Y (1982)
~K (Friends)
~Q He and I were friends when your momma was still wiping your nose.
~A Brian Dennehy
~F First Blood
~Y (1982)
~K (Compliance)
~Q How you do it, you decide -- right now!
~A Brian Dennehy
~F First Blood
~Y (1982)
~K (Rescue)
~Q I came here to rescue you from him.
~A Richard Crenna
~F First Blood
~Y (1982)
~K (Ownership)
~Q I recruited him, I trained him, I commanded him. . . I'd say that makes him mine.
~A Richard Crenna
~F First Blood
~Y (1982)
~K (Decoys) (Set-up)
~Q That's like bringing the pigeons to the cat.
~A Richard Crenna
~F First Blood
~Y (1982)
~K (Food) (Survival)
~Q . . . to eat things that'd make a billy goat puke. . .
~A Richard Crenna
~F First Blood
~Y (1982)
~K (Conclusions) (Stop)
~Q You don't just turn it off.
~A Sylvester Stallone
~F First Blood
~Y (1982)
~K (Survival)
~Q You don't seem to want to accept the fact that you're dealing with an expert in guerrilla warfare, with a man who's the best with guns, with knives, with his bare hands.
~A Richard Crenna
~F First Blood
~Y (1982)
~K (Conclusions)
~Q You're finished. You've gone as far as you can go.
~A Brian Dennehy
~F First Blood
~Y (1982)
~K (Police)
~Q I know who you are! You're not a reporter, you're that. . . that cop! Burn in Hell! Burn in Hell!
~A Lou Diamond Phillips
~F First Power
~Y (1989)
~K (Good-byes)
~Q See you around, Buddy-Boy. . .
~A Jeff Kober
~F First Power
~Y (1989)
~K (Girls) (Preferences)
~Q Do you like girls?
~A Carol Channing
~F The First Traveling Saleslady
~Y (1956)

Fish Called Wanda

An odd quartet of thieves pull off the big jewel job, but only the brains of the operation knows where the gems are hidden. Unfortunately he's in prison and needs his stuffy defense counsel - and so do the other gang members - to go get the stash for them. Academy Award Nominations: 3, including Best Director, Best (Original) Screenplay. Academy Awards: Best Supporting Actor--Kevin Kline.

~K (Fish) (Food)
~Q Avoid the green ones, they're not ripe yet.
~A Kevin Kline
~F A Fish Called Wanda
~Y (1988)
~K (Intelligence)
~Q Don't call me stupid!
~A Kevin Kline
~F A Fish Called Wanda
~Y (1988)
~K (Vietnam)
~Q We did not lose Vietnam. It was a tie.
~A Kevin Kline
~F A Fish Called Wanda
~Y (1988)

Fistful of Dollars

The first true spaghetti-Western about a nameless drifter who plays two feuding families off each other to his own benefit. As members of each family are planted in the ground, the gold in his pocket gets heavier and heavier. This violent remake of Kurosawa's Yojimbo made Eastwood a star.

Man With No Name Gift Set

Boxed Set that contains three timeless Eastwood films, A FISTFUL OF DOLLARS, FOR A FEW DOLLARS MORE and THE GOOD, THE BAD AND THE UGLY. See individual titles for more infomation.

Music from The Good, the Bad & the Ugly,'' A Fistful of Dollars'' & For a Few Dollars More''

Music from The Good, the Bad & the Ugly,'' A Fistful of Dollars'' & For a Few Dollars More''

Yojimbo

A samurai-for-hire becomes involved in a dispute between two warring clans in a small town. Adaptations include Clint Eastwood's A Fistful of Dollars and the 1996 Bruce Willis-starrer Last Man Standing. Academy Award Nominations: Best (Black-and-White) Costume Design.

~K (Self-assurance) (Performance)
~Q Get three coffins ready.
~A Clint Eastwood
~F A Fistful of Dollars
~Y (1964)
~K (Presence)
~Q I don't think they'd appreciate my presence.
~A Clint Eastwood
~F A Fistful of Dollars
~Y (1964)
~K (Small towns)
~Q I never saw a town as dead as this one.
~A Clint Eastwood
~F A Fistful of Dollars
~Y (1964)
~K (Mules) (Animals) (Apologies) (Sorry)
~Q My mule don't like people laughin'. He gets the crazy idea you're laughin' at him. Now, if you'll apologize like I know you're going to, I might convince him that you really didn't mean it.
~A Clint Eastwood
~F A Fistful of Dollars
~Y (1964)
~K (Executives) (Perspective)
~Q Things always look different from higher up.
~A Clint Eastwood
~F A Fistful of Dollars
~Y (1964)
~K (Duels)
~Q When a man with a .45 meets a man with a rifle, you said that the man with the pistol is a dead man. Let's see if that's true.
~A Clint Eastwood
~F A Fistful of Dollars
~Y (1964)
~K (Tired) (Age)
~Q He's asking if I'm tired.
~A Sean Connery
~F Five Days One Summer
~Y (1982)
~K (Luck) (Delivery)
~Q We're in luck. It's arrived.
~A Sean Connery
~F Five Days One Summer
~Y (1982)

Five Easy Pieces

The black sheep of a well-to-do family abandons a promising career as a classical pianist to work on an oil rig, but when he returns home to his father's deathbed, he meets a sophisticated woman and falls in love...too late. A moody, reflective performance by Nicholson, and, of course, the famous chicken-salad sandwich scene.

~K (Dirt) (Filth)
~Q Dirt isn't bad -- it's filth. Filth is bad. That's what starts maggots and riots. . .
~A Helena Kallianiotes
~F Five Easy Pieces
~Y (1970)
~K (Race) (Handicaps)
~Q A man with a club foot is scarcely in the running.
~A Franchot Tone
~F Five Graves to Cairo
~Y (1943)
~K (Italians)
~Q No one counts in or on the Italians.
~A Erich von Stroheim
~F Five Graves to Cairo
~Y (1943)
~K (Knowledge)
~Q That's what I'd like to know.
~A Franchot Tone
~F Five Graves to Cairo
~Y (1943)
~K (Lies)
~Q You're talking through your fez.
~A Franchot Tone
~F Five Graves to Cairo
~Y (1943)
~K (Day) (Tomorrow) (Future)
~Q It's going to be a beautiful day.
~A Marlene Dietrich
~F The Flame of New Orleans
~Y (1941)
~K (Talk) (Departure)
~Q We can talk a little and then you can leave.
~A Bruce Cabot
~F The Flame of New Orleans
~Y (1941)
~K (Parting)
~Q We'll never see each other, again.
We might.
~A Marlene Dietrich
~A Bruce Cabot
~F The Flame of New Orleans
~Y (1941)
~K (Mistakes)
~Q I like making a mistake once in a while.
~A Sterling Hayden
~F Flaming Feather
~Y (1951)
~K (Debts)
~Q There's a man owes me $20,000, and don't ask why.
~A Arleen Whelan
~F Flaming Feather
~Y (1951)
~K (Financing)
~Q What're you gonna use for money?
~A Edgar Buchannan
~F Flaming Feather
~Y (1951)
~K (Change) (Goals) (Career)
~Q I'm changing my whole life.
~A Elvis Presley
~F Flaming Star
~Y (1960)
~K (Drive) (Direction)
~Q You do whatcha hafta do.
~A John McIntire
~F Flaming Star
~Y (1960)
~K (Prejudice) (Hurt)
~Q You made me feel it the worst.
~A Elvis Presley
~F Flaming Star
~Y (1960)
~K (Crazy)
~Q You're both crazy.
~A Barbara Eden
~F Flaming Star
~Y (1960)
~K (Heroes) (Celebrities)
~Q Die and be a hero someday, but don't die to be a celebrity.
~A Kevin Bacon
~F Flatliners
~Y (1990)
~K (Death) (Afterlife)
~Q Hey, I don't want to die, I want to come back with the answers to death and life. . . I can get there with the others, but I need you. . . I need you to bring me back.
~A Keifer Sutherland
~F Flatliners
~Y (1990)
~K (Suicide)
~Q I'd be willing to go for one minute and twenty seconds.
Forget it. . . I have no interest in watching you kill yourself.
I think you do.
~A Julia Roberts
~A Keifer Sutherland
~F Flatliners
~Y (1990)
~K (Death)
~Q Today's a good day to die.
~A Keifer Sutherland
~F Flatliners
~Y (1990)
~K (Emotions)
~Q As much as we are the same, you're a little too emotional.
~A James Caan
~F Flesh and Bone
~Y (1993)
~K (Business) (Service)
~Q How come this place is closed in the middle of the week?
~A Meg Ryan
~F Flesh and Bone
~Y (1993)
~K (Divorce) (Taxes) (Paper work)
~Q I'm just amazed he could do the paperwork by himself.
~A Meg Ryan
~F Flesh and Bone
~Y (1993)
~K (Duty) (Job)
~Q It's my job.
~A Dennis Quaid
~F Flesh and Bone
~Y (1993)
~K (Cowboys)
~Q I've got a juke box up the road only playing George Jones.
~A Dennis Quaid
~F Flesh and Bone
~Y (1993)
~K (Hearts)
~Q Look it, Sweetpea, don't that break your heart?
~A James Caan
~F Flesh and Bone
~Y (1993)
~K (Mother)
~Q My mother must have stood right here brushing her hair. . . daydreaming.
~A Meg Ryan
~F Flesh and Bone
~Y (1993)
~K (Marriage)
~Q There was more than one bad night.
~A Dennis Quaid
~F Flesh and Bone
~Y (1993)
~K (Truth)
~Q Who knows what's the truth anymore.
~A James Caan
~F Flesh and Bone
~Y (1993)
~K (Nervous) (Coffee)
~Q You look like you had one to many cups of coffee. . .
~A Dennis Quaid
~F Flesh and Bone
~Y (1993)
~K (Intelligence)
~Q You're stupid. You've always been stupid. You were stupid as a little boy. As a man, you're being stupid now.
~A James Caan
~F Flesh and Bone
~Y (1993)
~K (Personal) (Knowledge)
~Q You seem to know more about me than I do.
~A Meg Ryan
~F Flesh and Bone
~Y (1993)

Fletch

An investigative reporter with a talent for disguise becomes involved in a huge drug smuggling scheme and police corruption after answering the bizarre request of a dying man. Outstanding performance by Chevy Chase. Based, loosely, on the books by Gregory MacDonald.

~K (Borrowing) (Automobiles)
~Q Can I borrow your towel, my car just hit a water buffalo?
~A Chevy Chase
~F Fletch
~Y (1983)
~K (Physical harm) (Awards)
~Q You know, if you shoot me, you'll lose a lot of these humanitarian awards.
~A Chevy Chase
~F Fletch
~Y (1983)
~K (Plans) (Decisions)
~Q I make up all my own moves.
~A Brad Johnson
~F Flight of the Intruder
~Y (1991)
~K (Peace)
~Q Maybe we can stop the war till things get better then.
~A Danny Glover
~F Flight of the Intruder
~Y (1991)
~K (Death)
~Q You die son, and I'll piss on your grave.
~A Danny Glover
~F Flight of the Intruder
~Y (1991)
~K (Reservations) (Shyness)
~Q Come on now. Don't hang back.
~A George C. Scott
~F The Flim Flam Man
~Y (1967)
~K (Control) (Easy)
~Q Easy, lad. I don't want to lose control.
~A George C. Scott
~F The Flim Flam Man
~Y (1967)
~K (Career) (Job)
~Q Greed's my line, kid. Greed.
~A George C. Scott
~F The Flim Flam Man
~Y (1967)
~K (Partnership)
~Q It could be mutually profitable.
~A George C. Scott
~F The Flim Flam Man
~Y (1967)
~K (Worst)
~Q I think maybe the worst is over.
~A George C. Scott
~F The Flim Flam Man
~Y (1967)
~K (Age)
~Q Old man? I'll dance on your grave, you young jackass.
~A George C. Scott
~F The Flim Flam Man
~Y (1967)
~K (Worry)
~Q Well, I'll say one thing. You sure don't let things worry you none.
~A Michael Sarrazin
~F The Flim Flam Man
~Y (1967)
~K (Sales) (Stolen)
~Q You can sell anything on God's green Earth if the customer thinks it's stolen.
~A George C. Scott
~F The Flim Flam Man
~Y (1967)
~K (Money) (Requirements)
~Q You have to have money to make money.
~A George C. Scott
~F The Flim Flam Man
~Y (1967)

Flintstones

Yabba dabba doo! Those stone-age favorites are back and on the screen. When Fred generously loans Barney and Betty enough money to adopt a child, Barney wants to return the favor. So he helps Fred on his IQ test at the quarry... which gets Fred an executive position. But what Fred doesn't know is he's the sap meant to take the fall for a bunch of corporate con-men out to rook the company.The Flintstones is a live-action upgrade of the Hanna-Barbera cartoon that cost a lot to make and made a lot.

~K (Intelligence)
~Q I got half a mind. . .
Don't flatter yourself.
~A John Goodman
~A Elizabeth Taylor
~F The Flintstones
~Y (1994)
~K (Birds)
~Q Kiss your bird good-bye.
~A Kyle MacLachlan
~F The Flintstones
~Y (1994)
~K (Arm) (Sports)
~Q What an arm!
~A Rick Moranis
~F The Flintstones
~Y (1994)
~K (Golf) (Games)
~Q I'd like to play. . . play just once more. . . for them.
~A Glenn Ford
~F Follow the Sun
~Y (1951)
~K (Friends) (Lovers)
~Q You can have a dog for a friend. You can have whiskey for a friend. But, if you’ve got a woman for a friend, you’re gonna end up drunk, kissin’ your dog.
~A Eddie Albert
~F Foolin’ Around
~Y (1980)
~K (Deals) (Bargains) (Negotiations)
~Q A deal is a deal there, cowboy. You were looking for a bargain. You got a bargain.
~A William H. Macy
~F Foolin’ Around
~Y (1980)
~K (Job security)
~Q As long as they've got sidewalks, you've got a job.
~A Joan Blondell
~F Footlight Parade
~Y (1933)
~K (Dance)
~Q Ecclesiastics assures us that there is a time for every purpose under heaven, a time to laugh, a time to weep, a time to morn, and there is a time to dance.
~A Kevin Bacon
~F Footloose
~Y (1984)
~K (Then and now)
~Q That's the way it was in the beginning. That's the way it's always been. That's the way it should be now.
~A Kevin Bacon
~F Footloose
~Y (1984)

For a Few Dollars More

Second of Sergio Leone and Eastwood's Spaghetti Westerns and Dollar trilogy (A FISTFUL OF DOLLARS being the first and THE GOOD, THE BAD AND THE UGLY the last). The Man With No Name (Eastwood) teams up with a gunslinger (Van Cleef) in order to extract reward money from Volonte, a vicious bandit. There is little doubt to Eastwood's financial intentions in the hunt but Van Cleef seems to be driven by something a bit deeper. A series of flashbacks (which would become a Leone signature device) provid

Man With No Name Gift Set

Boxed Set that contains three timeless Eastwood films, A FISTFUL OF DOLLARS, FOR A FEW DOLLARS MORE and THE GOOD, THE BAD AND THE UGLY. See individual titles for more infomation.

Music from The Good, the Bad & the Ugly,'' A Fistful of Dollars'' & For a Few Dollars More''

Music from The Good, the Bad & the Ugly,'' A Fistful of Dollars'' & For a Few Dollars More''

~K (Hunters)
~Q When two hunters go after the same prey, they usually end up shooting each other in the back. . .
~A Clint Eastwood
~F For a Few Dollars More
~Y (1965)
~K (Love)
~Q Love is shit.
~A Beatrice Arthur
~F For Better or Worse
~Y 1996
~K (Loyalty) (Skills)
~Q You’re unskilled but loyal.
~A John Amos
~F For Better or Worse
~Y (1996)
~K (Panic)
~Q It’s the guys who panic who get their balls blown off.
~A John Amos
~F For Better or Worse
~Y (1996)
~K (Planning) (Writing)
~Q I should write this down in case this is somehow relevant.
~A Rob Reiner
~F For Better or Worse
~Y (1996)
~K (Men) (Fear)
~Q I’m not afraid of any man.
~A Kate Winslet
~F For Better or Worse
~Y (1996)
~K (Devotion) (Loyalty) (Change)
~Q As long as it takes for the world to change.
~A Christopher Eccleston
~F For Better or Worse
~Y (1996)

For Your Eyes Only

Moore makes his fifth appearance as 007 in this, the twelfth Bond film. In this outing, the renowned British double agent must locate a weapons system known as ATAC, which controls Great Britain's submarines, after it is sunk on a ship in the Ionian Sea. While he must contend with a formidable foe in the villain known as Kristatos (Glover), he does have the lovely and talented Melina (Bouquet), the daughter of a scientist killed by Kristatos, on his side.

~K (Automobiles) (Driving)
~Q I love a drive in the country don’t you.
~A Roger Moore
~F For Your Eyes Only
~Y (1981)
~K (Gratitude)
~Q Who ever you are, you are extremely welcome.
~A Roger Moore
~F For Your Eyes Only
~Y (1981)

~K (Life) (Choices)
~Q If a man's life can be lived so long and come out this way. like rubbish, then something was horrible and had to be ended one way or another, and I decided to help.
~A John Garfield
~F Force of Evil
~Y (1948)
~K (Profit)
~Q This is Wall Street, and today was important because tomorrow, July Fourth, I intended to make my first million dollars. An exciting day in any man's life.
~A John Garfield
~F Force of Evil
~Y (1948)
~K (Kissing) (Republicans)
~Q Don't tell me it's subversive to kiss a Republican.
~A John Lund
~F A Foreign Affair
~Y (1948)
~K (Angels)
~Q You can’t pin sergeant’s stripes on an archangel.
~A Millard Mitchell
~F A Foreign Affair
~Y (1948)
~K (Warnings) (Lights) (America)
~Q It is as if the lights were out everywhere, except in America. Keep those lights burning there! Cover them with steel! Ring them with guns! Build a canopy of battleships and bombing planes around them! Hello, America! Hang on to your lights, they're the only lights left in the world!
~A Joel McCrea
~F Foreign Correspondent
~Y (1940)
~K (Business) (Phone)
~Q So sorry, you were called away.
~A Joel McCrea
~F Foreign Correspondent
~Y (1940)
~K (Lost)
~Q Do you ever feel lost?
I invented it.
~A Mel Gibson
~A Jamie Lee Curtis
~F Forever Young
~Y (1992)
~K (Love) (Relationships)
~Q You’re holding my heart.
~A Jamie Lee Curtis
~F Forever Young
~Y (1992)

Forrest Gump Special Collector's Edition

Special 2 disc set! The title character leads viewers through an accidental travelogue of American social history from the early 1960s through the present in this revisionist fable. Vietnam, desegregation, Watergate and more are presented from the perspective of Hanks' lovably s

~K (Life)
~Q Life is like a box of chocolates. . . you never know what you're gonna get.
~A Tom Hanks
~F Forrest Gump
~Y (1994)
~K (Stupidity)
~Q Mamma says, "Stupid is as stupid does."
~A Tom Hanks
~F Forrest Gump
~Y (1994)
~K (Army) (Military) (Soldiers)
~Q They aren’t forgotten because they haven’t died. They’re living, right out there -- Collingwood and the rest -- and they’ll keep on living as long as the regiment lives. The pay is $14 a month. The diet, beans and eggs -- may be horsemeat before this campaign is over. They fight over cards or rot-gut whiskey but share the last drop in their canteens. The faces may change. Names. But they’re there. They’re the regiment -- the regular Army -- now and 50 years from now.
~A John Wayne
~F Fort Apache
~Y (1948)
~K (Order)
~Q I want the rest of you cowboys to know something -- there's a new sheriff in town. . . you all be cool!
~A Eddie Murphy
~F 48 Hours
~Y (1982)
~K (Money)
~Q Roxanne, you don't have to turn on the red light. . . walk the streets for money. . .
~A Eddie Murphy
~F 48 Hours ~K (Performance)
~Q Go out there and be so swell you'll make me hate you.
~A Bebe Daniels
~F 42nd Street
~Y (1933)
~K (Initiation) (Baptism) (New job)
~Q . . . you're going out a youngster but you've got to come back a star!
~A Warner Baxter
~F 42nd Street
~Y (1933)
~K (Giving) (Charity)
~Q You've got to go on, and you've got to give and give and give.
~A Warner Baxter
~F 42nd Street
~Y (1933)
~K (Kissing)
~Q I don't know how to kiss, or I would kiss you. Where do the noses go?
~A Ingrid Bergman
~F For Whom the Bell Tolls
~Y (1943)

Ayn Rand: A Sense of Life

The first authorized film to look at the life and work of the controversial Russian-born author, writer of such renowned novels as The Fountainhead and Atlas Shrugged.

~K (Man)
~Q Any man who calls for me is my kind of man.
~A Gary Cooper
~F The Fountainhead
~Y (1949)
~K (Past)
~Q Don’t apologize for your past. It isn’t necessary.
~A Gary Cooper
~F The Fountainhead
~Y (1949)
~K (Ideas)
~Q Every new idea in the world comes from the mind of some one man. And you know the price he has to pay for it.
~A Henry Hull
~F The Fountainhead
~Y (1949)
~K (Customers) (Clients)
~Q For those who want me, will come to me.
~A Gary Cooper
~F The Fountainhead
~Y (1949)
~K (Freedom)
~Q Freedom -- to want nothing, to expect nothing, to depend on nothing.
~A Patricia Neal
~F The Fountainhead
~Y (1949)
~K (Admiration)
~Q I admire your work more than anything I’ve ever seen.
~A Patricia Neal
~F The Fountainhead
~Y (1949)
~K (Effort) (Difficulties)
~Q I didn’t expect it to be easy.
~A Gary Cooper
~F The Fountainhead
~Y (1949)
~K (Help) (Assistance)
~Q I don’t give or ask for help.
~A Gary Cooper
~F The Fountainhead
~Y (1949)
~K (Visionaries) (Starving)
~Q I don’t want any fool visionaries starving around here.
~A Henry Hull
~F The Fountainhead
~Y (1949)
~K (Obligations) (Promises)
~Q I exact no promises and impose no obligations.
~A Raymond Massey
~F The Fountainhead
~Y (1949)
~K (Honesty) (Youth)
~Q I feel as if I were young, as I did when I was just starting and still believed the road ahead was clean and that honesty was possible.
~A Raymond Massey
~F The Fountainhead
~Y (1949)
~K (Selections)
~Q If you want my work, you must take it as it is, or not at all.
~A Gary Cooper
~F The Fountainhead
~Y (1949)
~K (Love)
~Q I love you without dignity, without regret.
~A Patricia Neal
~F The Fountainhead
~Y (1949)
~K (Partners) (Co-workers) (Employees)
~Q I’m perfectly happy with the drooling dolts I’ve got.
~A Henry Hull
~F The Fountainhead
~Y (1949)
~K (Soul) (Spirit)
~Q I play the stock market of the spirit.
~A Robert Douglas
~F The Fountainhead
~Y (1949)
~K (Honesty)
~Q It’s extremely cruel to be honest.
~A Raymond Massey
~F The Fountainhead
~Y (1949)
~K (Things) (Admiration) (Enslaved)
~Q It's the things that we admire or want that enslave us.
~A Patricia Neal
~F The Fountainhead
~Y (1949)
~K (Standards)
~Q I set my own standards.
~A Gary Cooper
~F The Fountainhead
~Y (1949)
~K (Ideas)
~Q My ideas are mine. Nobody else has a right to them except on my terms.
~A Gary Cooper
~F The Fountainhead
~Y (1949)
~K (Ideas)
~Q Nothing can be done in life without an idea.
~A Robert Douglas
~F The Fountainhead
~Y (1949)
~K (Pressure)
~Q Pressure is a powerful factor. It leads to consequence which. . . once started can not be controlled.
~A Gary Cooper
~F The Fountainhead
~Y (1949)
~K (Menial job)
~Q Take a meaningless job. We’ll live only for each other.
~A Patricia Neal
~F The Fountainhead
~Y (1949)
~K (Offers) (Temptation)
~Q Tell me, what would you consider as tempting?
~A Raymond Massey
~F The Fountainhead
~Y (1949)
~K (Hate) (Achievement)
~Q They hate you for the greatness of your achievement!
~A Patricia Neal
~F The Fountainhead
~Y (1949)
~K (Strength) (Courage)
~Q We both have strength but not courage.
~A Patricia Neal
~F The Fountainhead
~Y (1949)
~K (Money) (Offers)
~Q Would you like to make some extra money?
~A Patricia Neal
~F The Fountainhead
~Y (1949)
~K (Fun)
~Q Are we having fun yet?
~A Carol Burnett
~F Four Seasons
~Y (1981)
~K (Power)
~Q I do not have the power.
~A Maria Ouspenskaya
~F Frankenstein Meets the Wolf Man
~Y (1943)
~K (Immortality)
~Q I don't want to live forever!
~A Lon Chaney, Jr.
~F Frankenstein Meets the Wolf Man
~Y (1943)
~K (Sex) (Life)
~Q I'll drain your life-energies tonight.
~A Patric Knowles
~F Frankenstein Meets the Wolf Man
~Y (1943)
~K (Results) (Answers)
~Q I'll get to the bottom of this.
~A Dennis Hoy
~F Frankenstein Meets the Wolf Man
~Y (1943)
~K (Friend)
~Q I'm your friend. I won't hurt you.
~A Lon Chaney, Jr.
~F Frankenstein Meets the Wolf Man
~Y (1943)
~K (Animals) (Lust)
~Q I turn into a wild animal.
~A Lon Chaney, Jr.
~F Frankenstein Meets the Wolf Man
~Y (1943)
~K (Illness) (Sick) (Talk)
~Q Someone would like to talk to you if you feel well enough.
~A Patric Knowles
~F Frankenstein Meets the Wolf Man
~Y (1943)

Frankie and Johnny

Two down-on-their-luck New Yorkers meet over the short-order counter at a Greek cafe in Manhattan. She's a waitress with a painful past, too hurt to fall in love again; he's a divorced ex-con with a talent for cooking and a big heart, looking for a second chance, pursuing her.

~K (Devotion)
~Q I want a guy who will love me no matter what.
You got him here. Me.
~A Michelle Pheiffer
~A Al Pacino
~F Frankie and Johnny
~Y (1991)
~K (Men)
~Q If I wanted a man in my life, I wouldn’t have bought a VCR. . . I can’t even work.
~A Michelle Pheiffer
~F Frankie and Johnny
~Y (1991)
~K (Attitude)
~Q She’s a very happy person. That’s her nature.
~A Harrison Ford
~F Frantic
~Y (1988)
~K (Heaven) (Children)
~Q You're a little piece of heaven, do you know that?
~A Shelley Long
~F Freaky Friday
~Y (1995)

French Connection Box Set

This Box set includes both French Connection I & II. See singles for information.

~K (Cities) (Poughkeepsie)
~Q Did you ever pick your feet in Poughkeepsie?
~A Gene Hackman
~F The French Connection
~Y (1971)
~K (Preparation)
~Q You ready for the real thing?
~A Samuel L. Jackson
~F Fresh
~Y (1995)
~K (Automobiles)
~Q Face it girls. I’m older and I have more insurance.
~A Kathy Bates
~F Fried Green Tomatoes
~Y (1991)

From Here to Eternity

An all-star cast brought what was considered an unfilmable novel to the screen with skill and grace with this story of the loves, hopes and dreams of those in a close-knit Army barracks in Hawaii shortly before the attack on Pearl Harbor. Montgomery Clift portrays a former boxer who refuses to fight after blinding a friend in the ring and is sent to the remote outpost as punishment for his insubordination. Love and tragedy abound in this unflattering look at military life.

~K (Death) (Business)
~Q Ain’t you ever seen a dead man? Let’s get this body out of here. We ain’t got all night.
~A Burt Lancaster
~F From Here To Eternity
~Y (1953)
~K (Independence)
~Q I know where I stand -- a man don't go his own way, he's nothing.
~A Montgomery Clift
~F From Here To Eternity
~Y (1953)
~K (Fighting)
~Q I quit fighting. You guys want to put the screws on, go ahead. I can take anything you can dish out.
~A Montgomery Clift
~F From Here To Eternity
~Y (1953)
~K (Friends) (Italians)
~Q Only my friends call me "Wop."
~A Frank Sinatra
~F From Here To Eternity
~Y (1953)
~K (Army) (Military)
~Q What do you want to go back to the Army for? What did the Army ever do for you besides treat you like dirt and give you one awful going-over and get your friend killed? What do you want to go back to the Army for?
~A Donna Reed
~F From Here To Eternity
~Y (1953)
~K (Intelligence)
~Q You couldn’t play it smart, could you?
~A Burt Lancaster
~F From Here To Eternity
~Y (1953)
~K (Lawyers)
~Q I want to practice law, it's what I've wanted all my life. When other kids were playing cowboys and Indians, I was playing plaintiff and defendant.
~A Judd Nelson
~F From the Hip
~Y (1986)
~K (Wives)
~Q I didn't kill my wife.
~A Harrison Ford
~F The Fugitive
~Y (1993)
~K (Marines) (Vietnam)
~Q Today you are marines, you're part of a brotherhood. . . Most of you will go to Vietnam, some of you will not come back.
~A Vincent D'Onofrio
~F Full Metal Jacket
~Y (1987)
~K (Talking)
~Q . . . you will speak only when spoken to, and the first and last words out of your filthy sewers will be "Sir."
~A Lee Ermey
~F Full Metal Jacket
~Y (1987)

Funny Face

Splashes of vivid color light the way through Stanley Donen's very modern musical. Think pink! commands Miss Prescott, head of Quality Woman fashion magazine, and American women obey--all except Jo (Audrey Hepburn), an intellectual young woman who tries to prevent Miss Prescott from staging a photo shoot in Jo's bookshop. Photographer Dick Avery (Fred Astaire) sees something interestesting in Jo's funny face, and soon he's lured her to Paris to model during the day and discuss philosophy in smok

~K (Seriousness) (Funny)
~Q If you weren't so deadly serious, it would be terribly funny.
~A Audrey Hepburn
~F Funny Face
~Y (1957)
~K (Schedule) (Sarcasm)
~Q I just stopped by to pick up the wives and kids.
~A Fred Astaire
~F Funny Face
~Y (1957)
~K (Youth) (Genius)
~Q There's no reason why someone brilliant shouldn't be young.
~A Audrey Hepburn
~F Funny Face
~Y (1957)
~K (Beautiful)
~Q When I get through with you, you’ll look like. . . well, what do you call beautiful? A tree? You’ll look like a tree.
~A Fred Astaire
~F Funny Face
~Y (1957)
~K (Customs) (Dance)
~Q Where I come from the man asks the woman to dance.
You must come from the Stone Age.
~A Fred Astaire
~A Audrey Hepburn
~F Funny Face
~Y (1957)
~K (Talking) (Discussion)
~Q You're talking like a man.
~A Audrey Hepburn
~F Funny Face
~Y (1957)
~K (Charm) (Grace) (Beauty)
~Q You will be an authority on how to be lovely.
~A Kay Thompson
~F Funny Face
~Y (1957)

Funny Girl

Film debut for Streisand in a reprisal of her Broadway role as Ziegfeld star Fanny Brice in this highly fictionalized musical biopic. Brice, a poor Jewish girl from the lower east side, rose to fame and won audience's hearts everywhere with her comic antics and powerful singing. Unfortunately, she had far less success in her personal life, and the film focuses on her doomed romance with her first husband, gambler Nicky Arnstein.

~K (Beauty)
~Q Hello, gorgeous.
~A Barbra Streisand
~F Funny Girl
~Y (1968)
~K (Food) (Beauty)
~Q I’m a bagel on a plateful of onion rolls.
~A Barbra Streisand
~F Funny Girl
~Y (1968)
~K (Success)
~Q This is too quick. I haven’t suffered enough, yet.
~A Barbra Streisand
~F Funny Girl
~Y (1968)

Funny Lady

Barbra Streisand returns as Fanny Brice in this sequel to William Wyler's Oscar-winning FUNNY GIRL. FUNNY LADY picks up the saga of entertainer-comedienne Brice after her separation from playboy millionaire Nick Arnstein (Omar Sharif). Newly single, she teams up brash Broadway producer, songwriter, and entrepreneur Billy Rose (James Caan), a showman whose lack of polish is made up in his boundless enthusiasm. Before long, Rose's professional relationship with Fanny turns into a touching

~K (Disasters)
~Q I have never been through anything like last night.
~A Barbra Streisand
~F Funny Lady
~Y (1975)
~K (Needs) (Dependency) (Isolation)
~Q I'm a star. I don't need you.
~A Barbra Streisand
~F Funny Lady
~Y (1975)
~K (Needs) (Requirements) (Needs)
~Q I need you.
~A James Caan
~F Funny Lady
~Y (1975)
~K (Favors)
(Offers)
~Q Use me.
~A James Caan
~F Funny Lady
~Y (1975)
~K (Abilities) (Protégé)
~Q How's our boy wonder?
~A John Cassavetes
~F The Fury
~Y (1978)