Reel Comments: Movie Quotations From Movies Starting With D - Quotable Lines From the Movies

Reel Comments
Quotable Lines From The Movies
Movies Starting with "D"

Look beneath the following banners and links to find movie quotations from movies that start with the letter "D."

Each quotation has one or more key words (~K), the quotation itself (~Q), the name of the actor/actors (~A), the name of the film (~F), and the year the film was released (~Y).

You may use the "find" command from your pull-down "edit" feature on Internet Explorer. Type in a key word, the name of an actor, or the title of the movie to help your search for just the right quotation you're looking for.

~K (Nosy) (Fences)
~Q It ain't healthy to jump over the wrong fence.
~A Regis Toomey
~F Dakota Incident
~Y (1956)

DANCES WITH WOLVES (JOHN BARRY) (MASTERSOUND)

DANCES WITH WOLVES (JOHN BARRY) (MASTERSOUND)

~K (Friends)
~Q Can you not see that you will always be my friend?
~A Rodney A. Grant
~F Dances with Wolves
~Y (1990)
~K (Fear)
~Q Do you not see that I am not afraid of you? Do you see?
~A Rodney A. Grant
~F Dances with Wolves
~Y (1990)
~K (White people)
~Q . . . he always wants to know how many more white people are coming. . .
~A Kevin Costner
~F Dances with Wolves
~Y (1990)
~K (Management) (Success) (Attainment)
~Q I did not ascend to this position by being stupid.
~A Maury Chaykin
~F Dances with Wolves
~Y (1990)
~K (Insanity) (Care-free)
~Q I just pissed my pants. . . and nobody can do anything about it.
~A Maury Chaykin
~F Dances with Wolves
~Y (1990)
~K (Native Americans)
~Q I'd never known a people so eager to laugh, so devoted to family, so dedicated to each other. . . and the only word that came to mind was "harmony."
~A Kevin Costner
~F Dances with Wolves
~Y (1990)
~K (Hero) (Suicide)
~Q In trying to produce my own death, I was elevated to the status of a living hero.
~A Kevin Costner
~F Dances with Wolves
~Y (1990)
~K (Life)
~Q The strangeness of this life cannot be measured.
~A Kevin Costner
~F Dances with Wolves
~Y (1990)
~K (Apologies) (Sorry)
~Q I came to apologize -- man to man.
~A C. Thomas Howell
~F Dangerous Indiscretion
~Y (1994)
~K (Generals) (Strategy)
~Q The smartest warrior. . . is the one who never has to fight.
~A Malcomb MacDowell
~F Dangerous Indiscretion
~Y (1994)
~K (Shape) (Condition)
~Q You're not in shape for this anymore are you?
~A Malcomb MacDowell
~F Dangerous Indiscretion
~Y (1994)

Dangerous Liaisons

Stephen Frears' terse adaptation of Choderlos de Laclos' famous epistolary tale about the sexual machinations of two jaded 18th-century French aristocrats. In order to get revenge on the man who jilted her, the wicked Marquise de Merteuil persuades a former lover, the rakish Vicomte de Valmont, to deflower the man's virginal young fiancee. Valmont agrees, but presents the Marquise with his own challenge: if he succeeds in seducing a virtuous young wife known for her unshakable fidelity, the Marq

~K (Control)
~Q It's beyond my control. . .
~A John Malkovich
~F Dangerous Liaisons
~Y (1988)
~K (Goals)
~Q I've distilled everything to one simple principle -- win or die!
~A Glenn Close
~F Dangerous Liaisons
~Y (1988)
~K (Love)
~Q Those who are most worthy of love are never made happy by it.
~A Mildred Natwick
~F Dangerous Liaisons
~Y (1988)

Dangerous Minds

The true story of one teacher's struggle to have a positive effect on her students' lives. Ex-Marine LouAnne Johnson abandons her military career in order to pursue her dream of becoming an English teacher. When she is assigned to Parkmont High, a rough inner-city school, she soon finds that teaching English is going to be tougher than she expected. Clearly, her bored, surly, unhappy students would rather be anywhere else than in class. However, LouAnne tackles this obstacle, employing unconv

~K (Marines) (Loyalty) (Dedication)
~Q Once a Marine, always a Marine!
~A Sharon Stone
~F Dangerous Minds
~Y (1995)
~K (Victims) (School) (Classrooms)
~Q There are no victims in this classroom.
~A Sharon Stone
~F Dangerous Minds
~Y (1995)
~K (High school)
~Q High school can be a dangerous place.
~A Ted Jan Roberts
~F A Dangerous Place
~Y (1994)
~K (Threats)
~Q You pull another stunt like this, this'll be your last trip.
~A Corey Feldman
~F A Dangerous Place
~Y (1994)
~K (Summons)
~Q I'm happy to come to you.
~A Max Gail
~F Dangerous Touch
~Y (1993)
~K (Trust)
~Q I don't trust people simply because they demand it.
~A Kate Vernon
~F Dangerous Touch
~Y (1993)
~K (Troubles) (Problems) (Appointments) (Attention)
~Q Something's come up that requires my immediate attention.
~A Lou Diamond Phillips
~F Dangerous Touch
~Y (1993)
~K (Even)
~Q We're even -- all of us.
~A Kate Vernon
~F Dangerous Touch
~Y (1993)
~K (Faithfulness)
~Q Your idea of fidelity is not having more than one man in bed at the same time.
~A Dirk Bogarde
~F Darling
~Y (1965)
~K (Time)
~Q What time is it?
It’s the right time, honey.
~A Robert Preston
~A Dorothy McGuire
~F The Dark at the Top of the Stairs
~Y (1960)
~K (Dawn)
~Q I hate the dawn. The grass always looks as though it's been left out all night.
~A Clifton Webb
~F The Dark Corner
~Y (1946)
~K (Appearances)
~Q She always looks like she’s been out in the rain feeding the poultry.
~A Clifton Webb
~F The Dark Corner
~Y (1946)
~K (Ideas) (Deadlines)
~Q There goes my last lead. I feel all dead inside. I'm backed in a dark corner, and I don't know who's hitting me.
~A Mark Stevens
~F The Dark Corner
~Y (1946)
~K (Reports) (Paperwork)
~Q I expect a report weekly.
~A Tab Hunter
~F Dark Horse
~Y (1992)
~K (Dirty work)
~Q I’ll tell you what. Heads, you muck out. Tails, I tell you to muck out. . . You muck out.
~A Rip Sewell
~F Dark Horse
~Y (1992)
~K (Sisters) (Hate)
~Q Sisters can hate each other with such terrifying intensity.
~A Lew Ayres
~F The Dark Mirror
~Y (1946)

Dark Victory

In one of the roles most identified with Davis she shows her quicksilver ability to change emotional tempo from flighty high-handedness to despair to brave resignation. As a beautiful, effervescent social butterfly she leads a carefree life until she learns she has a fatal brain tumor. Given a respite by the healing hands of her handsome young doctor, she falls in love with both him and life itself. Beware of colorized version.

~K (Disturbed) (Interrupted)
~Q I don't want to be disturbed.
~A Bette Davis
~F Dark Victory
~Y (1939)
~K (Fear)
~Q Nothing can hurt us now. What we have can't be destroyed. That's our victory -- our victory over the dark. It is a victory because we're not afraid.
~A Bette Davis
~F Dark Victory
~Y (1939)
~K (Youth) (Vision)
~Q I’m young and strong and nothing can touch me.
~A Bette Davis
~F Dark Victory
~Y (1939)
~K (Orders)
~Q I’ve never taken orders form anyone. As long as I live I’ll never take orders from anyone.
~A Bette Davis
~F Dark Victory
~Y (1939)
~K (Attributes) (References)
~Q My father drank himself to death. My mother lives in Paris. I take a great deal of exercise. I’m accustomed to a reasonable quantity of tobacco and alcohol and saddled with a sense of humor. Is that enough?
~A Bette Davis
~F Dark Victory
~Y (1939)
~K (Children) (Helpfulness) (Honesty)
~Q He's so helpful and honest for a boy his age.
~A Mary Beth Hurt
~F D.A.R.Y.L.
~Y (1985)
~K (Parents) (Family)
~Q I don't understand why you want to annoy your family.
~A Barret Oliver
~F D.A.R.Y.L.
~Y (1985)
~K (Results) (Marriage)
~Q I care what happens to us.
~A Janette Scott
~F The Day of the Triffids
~Y (1963)
~K (Fish) (Animals)
~Q I really don't care why a stingray stings.
~A Kieron Moore
~F The Day of the Triffids
~Y (1963)
~K (Tomorrow)
~Q See you in the morning, I hope.
~A Howard Keel
~F The Day of the Triffids
~Y (1963)
~K (Northern lights) (Cigarettes) (Tobacco) (Meteor shower)
~Q Some tobacco company probably found a new way to light up the sky to sell more cigarettes.
~A Kieron Moore
~F The Day of the Triffids
~Y (1963)

Days of Thunder

This Tom Cruise vehicle offers a glimpse into the fast-paced world of stock car racing. Cole Trickle is a young, cocky hotshot with little stock car driving experience. However he far and away has raw talent, able to make all the right moves on the racetrack. Because of this, he gains a mentor in grizzled former driver Harry Hogge, who sees that Trickle has the potential to be one of the few good men able to win races. In between the risky business of burning rubber and crashing cars, Trick

Days of Thunder, Mission: Impossible, and Top Gun

A special edition of Tom Cruise's action flicks. DAYS OF THUNDER (1990), TOP GUN (1986), and MISSION: IMPOSSIBLE (1996) are included. See individual titles for details.

~K (Automobiles)
~Q Let me drive. I won't make a fool out of you.
~A Tom Cruise
~F Days of Thunder
~Y (1990)
~K(Racing)
~Q No, he didn't slam into ya, he didn't bump ya, he didn't nudge you. He rubbed you and rubbing, son, is racing.
~A Robert Duvall
~F Days of Thunder
~Y (1990)
~K (Driving)
~Q That tunnel turns real tricky. . . it gets as slick as a button. . . and slam yourself into the wall before you know it.
~A Robert Duvall
~F Days of Thunder
~Y (1990)
~K (Appearances) (Drink)
~Q This is the way I look when I’m sober. It’s enough to make a person drink, wouldn’t you say?
~A Lee Remick
~F Days of Wine and Roses
~Y (1962)
~K (Work)
~Q You do your job, Honey.
~A Lee Remick
~F Days of Wine and Roses
~Y (1962)

Dead Again

An L.A. detective's humdrum life is shaken up by the appearance of a beautiful woman suffering from amnesia. Her memory returns in a series of increasingly violent flashbacks, some of which date back to a former life in which the detective was her possibly homicidal husband. A very stylish whodunnit.

~K (Dating)
~Q I'm not looking for Miss Right. I'm looking for Miss Right Now!
~A Kenneth Branagh
~F Dead Again
~Y (1991)
~K (Architects)
~Q An architect. . . you must have gone to high school?

~A Humphrey Bogart
~F Dead End ~Y (1937)
~K (Location)
~Q I ain't here. I'm out West.
~A Humphrey Bogart
~F Dead End
~Y (1937)
~K (Rewards)
~Q I got mine. I took it!
~A Humphrey Bogart
~F Dead End
~Y (1937)
~K (Dying) (Departures)
~Q Get back. I'm going out!
~A Humphrey Bogart
~F Dead End
~Y (1937)
~K (Life) (Longevity)
~Q You can't live forever.
~A Joel McCrea
~F Dead End
~Y (1937)

Dead Man Walking

Released theatrically in New York City December 29, 1995. The film grossed $37.5 million domestically.

DEAD MAN WALKING: THE SCORE

DEAD MAN WALKING: THE SCORE

~K (Children)
~Q Do you ever think about those kids?
~A Susan Sarandon
~F Dead Man Walking
~Y (1995)
~K (Togetherness)
~Q I like being alone with you.
~A Sean Penn
~F Dead Man Walking
~Y (1995)
~K (Daring)
~Q Dare to strike out and find new ground.
~A Robin Williams
~F Dead Poet's Society
~Y (1989)
~K (Intellectuals) (Poets)
~Q I was the intellectual equivalent of a 98 pound weakling. I would go to the beach and people would kick copies of Byron in my face.
~A Robin Williams
~F Dead Poet's Society
~Y (1989)
~K (Philosophy)
~Q Make your lives extraordinary.
~A Robin Williams
~F Dead Poet's Society
~Y (1989)
~K (Addresses)
~Q Now in this class, you can either call me Mr. Keating, or if you're slightly more daring -- O' Captain, My Captain.
~A Robin Williams
~F Dead Poet's Society
~Y (1989)
~K (Rumors) (Facts)
~Q Now, let me dispel a few rumors so they don't fester into facts.
~A Robin Williams
~F Dead Poet's Society
~Y (1989)
~K (Words) (Ideas)
~Q . . . savor words and language. No matter what anybody tells you. . . words and ideas can change the world.
~A Robin Williams
~F Dead Poet's Society
~Y (1989)
~K (Souls)
~Q This is a battle -- a war, and the casualties could be your souls.
~A Robin Williams
~F Dead Poet's Society
~Y (1989)
~K (Poetry)
~Q We don't read and write poetry because it's cute. We read and write poetry because we're members of the human race, and the human race is filled with passion. Poetry, beauty, romance, love -- these are what we stay alive for.
~A Robin Williams
~F Dead Poet's Society
~Y (1989)
~K (Individuality)
~Q . . . you must strive to find your own voice, because the longer you wait to begin, the less likely you are to find it at all.
~A Robin Williams
~F Dead Poet's Society
~Y (1989)
~K (Public relations) (Television)
~Q Oh, you can set yourself on fire and we'll break out the marshmallows and weenies, but you won't be on the news at eleven.
~A Clint Eastwood
~F The Dead Pool
~Y (1988)
~K (Virginity)
~Q You'd still be a virgin if it weren't for me!
~A Jeremy Irons
~F Dead Ringers
~Y (1988)
~K (Assistance) (Help)
~Q Who are you trying to help?
~A Maureen O’Hara
~F The Deadly Companions
~Y (1961)
~K (Respect)
~Q Well, if you’re waiting for me to salute you, you’re gonna wait a long time.
~A Steve Cochran
~F The Deadly Companions
~Y (1961)
~K (Hate)
~Q You don’t know me well enough to hate me that much.
~A Brian Keith
~F The Deadly Companions
~Y (1961)
~K (Airplanes)
~Q Get my plane ready!
~A Craig Stevens
~F The Deadly Mantis
~Y (1957)
~K (Finish) (Projects)
~Q I've got a right to be in at the finish of that thing if any man has.
~A Craig Stevens
~F The Deadly Mantis
~Y (1957)
~K (Food) (Dessert)
~Q Let's hope we're not dessert!
~A Craig Stevens
~F The Deadly Mantis
~Y (1957)
~K (Effort)
~Q There's nothing more we can do!
~A Craig Stevens
~F The Deadly Mantis
~Y (1957)
~K (Dates) (Fossils)
~Q What have you got there? Another fossil?
~A Alix Talton
~F The Deadly Mantis
~Y (1957)
~K (Inclusion) (Group effort)
~Q You don't expect me to stay behind, do you?
~A Alix Talton
~F The Deadly Mantis
~Y (1957)
~K (Apprehension)
~Q Little something in the air?
~A Joan Caulfield
~F Dear Ruth
~Y (1947)
~K (Wit) (Logic)
~Q A witticism is no answer for logic.
~A Mona Freeman
~F Dear Ruth
~Y (1947)
~K (Dumb) (Genius)
~Q Don't feel bad, even geniuses do dumb things.
~A Sigourney Weaver
~F Death and the Maiden
~Y (1995)
~K (Recognition)
~Q Attention must finally be paid to such a man. He's not to be allowed to fall into his grave like an old dog.
~A Mildred Dunnock
~F Death and the Maiden
~Y (1995)
~K (Dreams)
~Q A man's gotta dream. It comes with the territory.
~A Fredric March
~F Death of a Salesman
~Y (1951)
~K (Salesman)
~Q A salesman is somebody way up there in the blue, riding on a smile and a shoeshine. . .
~A Fredric March
~F Death of a Salesman
~Y (1951)
~K (Deer) (Hunting) (Shooting)
~Q You have to think about one shot. One shot is what it's all about. The deer has to be taken with one shot. I try to tell people that. They don't listen.
~A Robert De Niro
~F The Deer Hunter
~Y (1978)

DEFENDING YOUR LIFE (LBX)

DVD Features: Region 1 Snap Case Anamorphic Widescreen - 1.85 Additional Release Material: Trailers - 1. Original Theatrical Text/Photo Galleries: Filmographie

~K (Stupidity)
~Q I'm the dunce of the universe.
~A Albert Brooks
~F Defending Your Life
~Y (1991)

Demolition Man

San Angeles, a megalopolis stretching from Santa Barbara to San Diego, is the futuristic utopia of the politically correct. Red meat, salt, sugar, smoking and sex have all been outlawed. This spells h-e-l-l for John Spartan, a 20th century cop revived to chase down a 20th century terrorist on the loose in this sterile paradise.

Sylvester Stallone Collection 3Pk

Gift Set includes - Cobra - Driven - Demolition Man

~K (Home)
~Q Home sweet home.
~A Wesley Snipes
~F Demolition Man
~Y (1993)
~K (Temperature)
~Q Is it cold in here, or is it just me?
~A Sylvester Stallone
~F Demolition Man
~Y (1993)
~K (Second chance)
~Q Not many people get a second chance.
~A Sandra Bullock
~F Demolition Man
~Y (1993)
~K (Patience)
~Q Patience is not one of my virtues.
~A Wesley Snipes
~F Demolition Man
~Y (1993)
~K (Retribution)
~Q Someone will pay dearly for this.
~A Nigel Hawthorne
~F Demolition Man
~Y (1993)
~K (Rules) (Regulations) (Restraints)
~Q Why don't you just shove a leash up my ass?
~A Sylvester Stallone
~F Demolition Man
~Y (1993)
~K (Termination) (Service)
~Q Your services will no longer be required.
~A Wesley Snipes
~F Demolition Man
~Y (1993)
~K (Blood) (Pain)
~Q How is it that you cannot stand the sight of blood on anyone except me?
~A Gregory Peck
~F Designing Woman
~Y (1957)
~K (Home)
~Q A woman's gotta have a home.
~A Sophia Loren
~F Desire Under the Elms
~Y (1958)
~K (Job) (Work) (Command) (Boss)
~Q I have no command at present.
~A Marlon Brando
~F Desiree
~Y (1954)
~K (History)
~Q I'm one of the men who make history.
~A Marlon Brando
~F Desiree
~Y (1954)
~K (Kiss)
~Q I will probably kiss you before very long.
~A Marlon Brando
~F Desiree
~Y (1954)
~K (Wishes) (Love)
~Q I wish the night could have gone on and on and on.
~A Jean Simmons
~F Desiree
~Y (1954)
~K (Life) (Simple)
~Q Life is never simple.
~A Marlon Brando
~F Desiree
~Y (1954)
~K (Family)
~Q Sometimes my family makes me sick.
~A Jean Simmons
~F Desiree
~Y (1954)
~K (Conclusion)
~Q This will be the end of him.
~A Richard Deacon
~F Desiree
~Y (1954)
~K (Children) (Stubbornness)
~Q You are impossible.
~A Richard Deacon
~F Desiree
~Y (1954)
~K (Available)
~Q Available? You’re like an old coat that’s hanging in his closet. Every time he reaches in, there you are. Don’t be there once.
~A Joan Blondell
~F Desk Set
~Y (1957)

Desperado

The no-named Mariachi tracks down the last Mexican drug-lord Bucho and, with the help of his best friend and a beautiful book store owner, takes on his entire army of henchmen in a dusty border town. Big budget sequel to El Mariachi.

~K (Creativity) (Destroy) (Music) (Guitar) (Guns)
~Q You know it’s easier to pull the trigger than play guitar, easier to destroy than to create.
~A Antonio Banderas
~F Desperado
~Y (1996)
~K (Gentleman) (Drink) (Martini)
~Q A man is not a gentleman unless he knows how to mix a martini.
~A Mickey Rourke
~F Desperate Hours
~Y (1990)
~K (Risk) (Mood)
~Q I just put my ass on the line. Now, you get our of here. My earrings are killing me. I'm in a real bad mood.
~A Lindsay Crouse
~F Desperate Hours
~Y (1990)
~K (Beauty)
~Q Look, even the flowers lean toward her.
~A Dorothy Vaughn
~F Destiny
~Y (1944)
~K (Women)
~Q Maybe one day I'll learn about women. They'll never double-cross me again.
~A Alan Curtis
~F Destiny
~Y (1944)
~K (Service) (Helpfulness)
~Q We never close our door.
~A Gloria Jean
~F Destiny
~Y (1944)
~K (Thirst) (Drink)
~Q Anybody thirsty?
~A Marlene Dietrich
~F Destry Rides Again
~Y (1939)
~K (Hitching) (Rides)
~Q Someday a car will pick me up that I never thumbed.
~A Tom Neal
~F Detour
~Y (1945)
~K (Firing) (Downsizing)
~Q You’ll probably get a raise after they fire all these poor people -- you Benedict Arnold in sheep’s clothing!
~A Jean Arthur
~F The Devil and Miss Jones
~Y (1941)
~K (Love)
~Q If you loved me enough, you would have killed yourself last night.
~A Marlene Dietrich
~F The Devil is a Woman
~Y (1935)
~K (Needs)
~Q I must say you're content with very little.
~A Marlene Dietrich
~F The Devil is a Woman
~Y (1935)
~K (Names)
~Q The name is not unfamiliar to me.
~A Lionel Atwill
~F The Devil is a Woman
~Y (1935)
~K (Desires) (Possession)
~Q You don't know this woman. She wasn't through with me yet.
~A Lionel Atwill
~F The Devil is a Woman
~Y (1935)
~K (Handwriting)
~Q Give me three lines of a man's handwriting, and I will hang him.
~A Dudley Sutton
~F The Devils
~Y (1970)
~K (Home)
~Q Did you bring this into my house?
~A Harrison Ford
~F The Devil’s Own
~Y (1997)
~K (Recognition)
~Q Do they always stare at you in public?
~A Olivia de Havilland
~F Devotion
~Y (1944)

Diabolique

Christina and Nicole join forces to murder Christina's husband. They dump his body in a pool, but it disappears. Is he dead or isn't he? The viewers of the premiere were sworn to secrecy about the ending.

Diabolique - Music By Randy Ed

Diabolique - Music By Randy Ed

~K (Games)
~Q Somebody’s playing games with us.
~A Sharon Stone
~F Diabolique
~Y (1996)
~K (Guilt)
~Q You’re feeling guilty.
~A Kathy Bates
~F Diabolique
~Y (1996)
~K (Amateurs)
~Q May the saints protect us from the gifted amateur!
~A John Williams
~F Dial M for Murder
~Y (1954)
~K (Nice) (Two-faced)
~Q Well, I can see there's going to be a rough evening, all of us saying nice things to each other.
~A Robert Cummings
~F Dial M for Murder
~Y (1954)
~K (Witch) (Moody)
~Q You bring out the spitting witch in me.
~A Yvette Mimieux
~F Diamond Head
~Y (1962)
~K (Good) (Philosophy)
~Q In spite of everything, I still believe that people are good at heart.
~A Millie Perkins
~F The Diary of Anne Frank
~Y (1959)
~K (Invitations)
~Q Come out to the coast. We'll get together, have a few laughs.
~A Bruce Willis
~F Die Hard
~Y (1988)
~K (Shoes)
~Q Nine million terrorists in the world and I have to kill one with feet smaller than my sisters'.
~A Bruce Willis
~F Die Hard
~Y (1988)
~K (Retribution) (Revenge) (Pay-off)
~Q It’s time to kick ass.
~A Dennis Franz
~F Die Hard II
~Y (1990)
~K (Resume)
~Q This is the resume of a professional mercenary.
~A Bruce Willis
~F Die Hard II
~Y (1990)
~K (Beginnings)
~Q This is just the beginning.
~A Bruce Willis
~F Die Hard II
~Y (1990)
~K (Ideas) (Competition)
~Q Whatever we can think of, they can think of, too.
~A Dennis Franz
~F Die Hard II
~Y (1990)
~K (Workday) (Ordinary)
~Q An ordinary day.
~A Bruce Willis
~F Die Hard with a Vengeance
~Y (1995)
~K (Motivation)
~Q Not even God knows what you're doing.
~A Samuel L. Jackson
~F Die Hard with a Vengeance
~Y (1995)
~K (Choices)
~Q You don't like it, you get somebody else.
~A Richard Dreyfuss
~F Dillinger
~Y (1973)
~K (Idleness)
~Q It’s so wonderful to have nothing to do.
~A Billie Burke
~F Dinner at Eight
~Y (1933)
~K (Old-age) (Beauty)
~Q You did have looks, but they’re gone now. You don’t have to take my word for it. Just look in any mirror. They don’t lie.
~A Lee Tracy
~F Dinner at Eight
~Y (1933)
~K (Fitness)
~Q You sag like an old woman.
~A Lee Tracy
~F Dinner at Eight
~Y (1933)

Dirty Dancing

It's summer, 1963. Baby, 17 years old and all idealistic innocence, is vacationing with her parents in the Catskills. She meets Johnny, the hotel dance instructor, and is mesmerized by him as well as his dance style. She soon becomes Johnny's prize pupil - in dance and in love. Academy Awards: Best Song ((I've Had) The Time of My Life).

~K (Focus)
~Q So, I'll just keep my shoulders down, my head up, my frame locked, stay on my toes. Oh, what if I forget the steps?
~A Jennifer Grey
~F Dirty Dancing
~Y (1987)
~K (Dancing)
~Q Sorry about the disruption folks, but I always do the last dance of the season. . .
~A Patrick Swayze
~F Dirty Dancing
~Y (1987)

Dirty Harry Collection

This Clint Eastwood Gift Set includes ; Dead Pool Dirty Harry Enforcer Magnum Force Sudden Impact.

~K (Luck)
~Q . . . you've got to ask yourself one question: do I feel lucky? Well, do ya, punk?
~A Clint Eastwood
~F Dirty Harry
~Y (1971)

Dirty Rotten Scoundrels

Brash, small-time con man (Steve Martin) meets fake prince in exile (Michael Caine) in this outrageous comedy of backstabbing, elaborate lies, and dirty tricks as the two men battle for the prime fleecing territory of a European resort. A wager between the two over duping an American heiress out of her money sends the stakes higher, as the loser must leave town. However, a wily swindler also searching for good territory might have other plans for the two men.

~K (Truth)
~Q . . . But I am gonna help my Gram-Gram. She is the one that taught me, "It is better to be truthful and good, than to not."
~A Steve Martin
~F Dirty Rotten Scoundrels
~Y (1988)

Disclosure

Based on Michael Crichton's controversial bestseller, a powerful woman at a computer software company jeapordizes a man's career when he spurns her sexual advances.

~K (Language) (Togetherness)
~Q Fuck 'em.
Now you're talking my language.
~A Michael Douglas
~A Roma Maffia
~F Disclosure
~Y (1995)
~K (Realization) (Defeat)
~Q I am totally screwed.
~A Michael Douglas
~F Disclosure
~Y (1995)
~K (Victim)
~Q I've never seen you play the victim before.
~A Michael Douglas
~F Disclosure
~Y (1995)
~K (Sexual harassment) (Power)
~Q Sexual harassment is about power. When did I have the power? When?
~A Michael Douglas
~F Disclosure
~Y (1995)
~K (Public Relations) (Names)
~Q She'd change her name to TV Listings to get her name in the papers.
~A Donald Sutherland
~F Disclosure
~Y (1995)
~K (Opposition)
~Q You have no idea what you're up against.
~A Demi Moore
~F Disclosure
~Y (1995)
~K (Answers) (Abilities)
~Q You have something I want.
~A Donald Sutherland
~F Disclosure
~Y (1995)
~K (Understanding) (Answers)
~Q Anything you don't have an answer for, I don't understand.
~A Dick Van Dyke
~F Divorce American Style
~Y (1967)
~K (Communication)
~Q Communication isn't just talking. It's feeling the other person. It's making contact.
~A Debbie Reynolds
~F Divorce American Style
~Y (1967)
~K (Lifeless)
~Q They didn't kill me; I was dead already.
~A Dennis Quaid
~F D.O.A.
~Y (1988)
~K (Orders) (Instructions)
~Q You heard what I said, I think.
~A Errol Flynn
~F Dodge City
~Y (1939)
~K (Old-age)
~Q Remember, I. . . I did make a home for you once, and I’ll do it again -- only you’ve got to let me have my fling now! Because you’re simply rushing at old age, Sam, and I’m not ready for that yet.
~A Ruth Chatterton
~F Dodsworth
~Y (1936)
~K (Famous) (Well-known)
~Q Hey, I'm a star!
~A Al Pacino
~F Dog Day Afternoon
~Y (1975)
~K (Offers) (Negotiations)
~Q I've got a proposition for you.
~A Scott Brady
~F $ (Dollars)
~Y (1971)
~K (Shame)
~Q You oughta be ashamed of yourself.
~A Scott Brady
~F $ (Dollars)
~Y (1971)
~K (Condition)
~Q A little paint, it'll be like brand new.
~A Tim Thomerson
~F Dollman
~Y (1991)
~K (Direction)
~Q I'm not going anywhere.
~A Tim Thomerson
~F Dollman
~Y (1991)
~K (Ships) (Boats)
~Q Get away from the ship. It's not a toy.
~A Tim Thomerson
~F Dollman
~Y (1991)
~K (Giants)
~Q The place's full of giants. I hate giants.
~A Tim Thomerson
~F Dollman
~Y (1991)
~K (Dreams)
~Q What am I worried about? This is just a bad dream.
~A Tim Thomerson
~F Dollman
~Y (1991)
~K (Size)
~Q You are so small.
~A Kamala Lopez
~F Dollman
~Y (1991)
~K (Dislikes)
~Q You remind me of a guy I knew back home. I didn't like him either.
~A Tim Thomerson
~F Dollman
~Y (1991)

Dolores Claiborne

Eighteen years after being accused of murdering her husband, a small-town Maine woman again finds herself in the midst of a murder investigation. The only one who can save her from the over-zealous investigator who failed to convict her before is her estranged daughter. Based on a novel by Stephen King.

~K (Challenge)
~Q One of us is going to the bone yard.
~A Kathy Bates
~F Dolores Claiborne
~Y (1995)
~K (Bitch) (Women)
~Q Sometimes being a bitch is all a woman has to hold on to.
~A Kathy Bates
~F Dolores Claiborne
~Y (1995)
~K (Orders) (Sitting)
~Q You sit down right this minute.
~A Kathy Bates
~F Dolores Claiborne
~Y (1995)

Dominick and Eugene

They're twin brothers on their own. Eugene is a medical student who when he becomes involved with a student he tutors, fluctuates in his desire to care for his brother, left retarded by a childhood accident. But there's something in their past that could change both men's situations.

~K (Hurt) (Time) (Prayer)
~Q Help me be on time so I don't lose my job, and don't let anybody hurt anybody.
~A Tom Hulce
~F Dominick and Eugene
~Y (1988)
~K (Intelligence)
~Q I'm slow, not stupid.
~A Tom Hulce
~F Dominick and Eugene
~Y (1988)

The Doors : The Collection

The tragic (and grandiose) story of one of the many hedonistic figures in rock 'n roll history, James Douglas Morrison, whose short life ended in a Paris bath tub after a drug overdose. This Special Edition is a double disk set that also includes 43 minutes of Additional Scenes.

Oliver Stone Collection 6pk

This Collection Box Set includes - Wall Street, Born on the Fourth of July, The Doors, JFK, Natural Born Killers and Any Given Sunday plus Oliver Stone's America, -- a documentary look at the award-winning writer/producer/director's extraordinary movie legacy, including clips, interviews, behind-the-scenes footage, and Oliver Stone's student film, 'Last Year in Vietnam.'

~K (Experimentation) (Drugs)
~Q I believe in long, pro-longed derangements of the senses to attain the unknown.
~A Val Kilmer
~F The Doors
~Y (1991)
~K (Curiosity)
~Q Let's say I was testing the bounds of reality. That's all. I was curious.
~A Val Kilmer
~F The Doors
~Y (1991)
~K (Retribution) (Revenge) (Lessons)
~Q I gotta teach a guy a lesson.
~A Dwight Frye
~F Doorway to Hell
~Y (1930)
~K (Quiet) (Intelligence)
~Q Don't you people have enough sense not to bother people when they're sleeping?
~A Joie Lee
~F Do the Right Thing
~Y (1989)

Double Indemnity

An insurance salesman and a scheming blond persuade her husband to sign a policy that pays double for accidental death - then they plan an accident. One of the great movies of all time with an electric script written by Wilder and Chandler, based on the novel by James M. Cain. Academy Award Nominations: 7, including Best Picture, Best Director, Best Adapted Screenplay.

~K (Murder)
~Q How did I know that murder could sometimes smell like honeysuckle?
~A Fred MacMurray
~F Double Indemnity
~Y (1944)
~K (Preoccupation)
~Q I couldn't hear my own footsteps.
~A Fred MacMurray
~F Double Indemnity
~Y (1944)
~K (Bad)
~Q I'm rotten to the heart.
~A Barbara Stanwyck
~F Double Indemnity
~Y (1944)
~K (Lovers)
~Q I think you're swell. As long as I'm not your husband.
~A Fred MacMurray
~F Double Indemnity
~Y (1944)
~K (Duty)
~Q It's straight down the line for both of us.
~A Barbara Stanwyck
~F Double Indemnity
~Y (1944)
~K (Thoughts) (Sex)
~Q I've been thinking of you every minute.
~A Fred MacMurray
~F Double Indemnity
~Y (1944)
~K (Nudity)
~Q I've just been taking a sunbath.
I hope no pigeons were out.
~A Barbara Stanwyck
~A Fred MacMurray
~F Double Indemnity
~Y (1944)
~K (Wants)
~Q I want you to be nice to me.
~A Barbara Stanwyck
~F Double Indemnity
~Y (1944)
~K (Housework)
~Q Oh, I forgot. Today's the maid's day off.
~A Barbara Stanwyck
~F Double Indemnity
~Y (1944)
~K (Money) (Deals)
~Q Yes, I killed him. I killed him for the money and for a woman. I didn't get the money, and I didn't get the woman. Pretty, isn't it?
~A Fred MacMurray
~F Double Indemnity
~Y (1944)
~K (Intelligence)
~Q You're not smarter. . . you're just a little taller.
~A Edward G. Robinson
~F Double Indemnity
~Y (1944)
~K (Job satisfaction) (Work)
~Q God, I love this job.
~A Kelsey Grammer
~F Down Periscope
~Y (1996)

Classic Monsters Collection

Includes three all-time classic horror films: Dracula (1931), Frankenstein (1932) (restored version), and The Wolf Man (1941). See individual listings for further details.

~K (Welcome)
~Q I bid you welcome. Enter freely and of your own will.
~A Bela Lugosi
~F Dracula
~Y (1931)
~K (Wine) (Drink)
~Q I never drink. . . wine.
~A Bela Lugosi
~F Dracula
~Y (1931)
~K (Brevity)
~Q Don't go too far, Hun. It'll be over in sixty seconds.
~A Jason Scott Lee
~F Dragon: The Bruce Lee Story
~Y (1993)
~K (Change) (Persuade)
~Q You can't change people with your fists.
~A Jason Scott Lee
~F Dragon: The Bruce Lee Story
~Y (1993)
~K (Sorrow) (Size)
~Q The littler you are, the larger the sorrow.
~A Tom Courtnay
~F The Dresser
~Y (1983)
~K (Drugs) (Power)
~Q In my experiments, I find that certain chemicals have the power. . .
~A Fredric March
~F Dr. Jekyll and Mr. Hyde
~Y (1932)
~K (Forgiveness)
~Q Oh, God, forgive me. I've done something no man should do.
~A Fredric March
~F Dr. Jekyll and Mr. Hyde
~Y (1932)
~K (Scientists)
~Q We are men of science. We should be curious and bold. We should look into the wonders of the human brain. We should look into the very soul of man.
~A Fredric March
~F Dr. Jekyll and Mr. Hyde
~Y (1932)
~K (Prejudice)
~Q You can't break down prejudice with logic and reason.
~A Lionel Barrymore
~F Dr. Kildare Goes Home
~Y (1940)
~K (Handicaps)
~Q A handicap is what you make of it.
~A Joseph Wiseman
~F Dr. No
~Y (1963)
~K (Life-style) (Danger)
~Q You believe in living dangerously.
~A Sean Connery
~F Dr. No
~Y (1963)

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

When a psychotic U.S. General launches a pre-emptive strike against the Commies, the American President must deal with gung ho military brass, bureaucratic bumbling, a drunken Soviet Premier and a twisted German rocket scientist. Horribly funny. Based on the novel RED ALERT by Peter George.

~K (Humans)
~Q The human element seems to have failed us here.
~A George C. Scott
~F Dr. Strangelove: or, How I learned to Stop Worrying and Love the Bomb
~Y (1964)
~K (Effort)
~Q Mein Fuhrer, I can walk!
~A Peter Sellers
~F Dr. Strangelove: or, How I learned to Stop Worrying and Love the Bomb
~Y (1964)
~K (Fighting)
~Q You can't fight here -- this is the War Room.
~A Peter Sellers
~F Dr. Strangelove: or, How I learned to Stop Worrying and Love the Bomb
~Y (1964)
~K (Tribe)
~Q She is one of my own.
~A Jason Scott Lee
~F Dragon: The Bruce Lee Story
~Y (1993)
~K (Connections) (Life)
~Q You drop a pebble in a pond, you get ripples. Soon the ripples cross the entire pond.
~A Jason Scott Lee
~F Dragon: The Bruce Lee Story
~Y (1993)
~K (Encouragement)
~Q You make me feel like I can do anything.
~A Jason Scott Lee
~F Dragon: The Bruce Lee Story
~Y (1993)
~K (Games)
~Q I don't wanta play this game anymore.
~A Corey Haim
~F Dream a Little Dream 2
~Y (1994)
~K (Teasing)
~Q Don't tease me. . . you're dealing with a woman who still thinks she needs a brain scan.
~A Mariette Hartley
~F Drop-Out Father
~Y (1982)
~K (Scientists)
~Q What is this a superstitious scientist?
~A Dick Van Dyke
~F Drop-Out Father
~Y (1982)
~K (Home) (Defense) (Valley)
~Q We showed 'em they couldn't take this valley.
~A Henry Fonda
~F Drums Along the Mohawk
~Y (1939)
~K (Punishment)
~Q I suggest we give him ten years in Leavenworth or eleven years in Twelveworth.
I tell you what I'll do. I'll take five and ten in Woolworth.
~A Groucho Marx
~A Chico Marx
~F Duck Soup
~Y (1933)
~K (Intelligence)
~Q Chicolini may look like an idiot, and he may act like an idiot, but don't let that fool you -- he really is an idiot!
~A Groucho Marx
~F Duck Soup
~Y (1933)
~K (Lust)
~Q . . . you're carved in the flesh of temptation. Resistance is going to be a darn sight harder for you than for females protected by the shape of sows.
~A Walter Huston
~F Duel in the Sun
~Y (1946)
~K (Dares)
~Q I dare you to do that again.
~A Alan Ladd
~F Duffy's Tavern
~Y (1945)
~K (Departures)
~Q Lady, you better get outta here before you get your teeth kicked in!
~A Alan Ladd
~F Duffy's Tavern
~Y (1945)

Dumb and Dumber

Two cretins stagger across the American landscape encountering a number of slapstick mishaps while trying to return a large sum of money.

Dumb & Dumber: Original Motion Picture Soundtrack

Dumb & Dumber: Original Motion Picture Soundtrack

Extreme DVD 4 Pack

4-Pack Includes MORTAL KOMBAT: ANNIHILATION, SPAWN, DUMB AND DUMBER, and THE LONG KISS GOODNIGHT.

~K (Achievement) (Completion) (The end) (Pay-off)
~Q Check, please.
~A Jim Carrey
~F Dumb and Dumber
~Y (1994)
~K (Death)
~Q Don't go dying on me.
~A Jim Carrey
~F Dumb and Dumber
~Y (1994)
~K (Hugs) (Forgiveness)
~Q How about a hug?
~A Jim Carrey
~F Dumb and Dumber
~Y (1994)
~K (Nobody) (Somebody)
~Q I'm sick and tired of being a nobody.
~A Jim Carrey
~F Dumb and Dumber
~Y (1994)
~K (Size) (Offense)
~Q I would never do anything to offend a man of your size.
~A Jim Carrey
~F Dumb and Dumber
~Y (1994)
~K (Obstructions)
~Q Move it or lose it, sister.
~A Jim Carrey
~F Dumb and Dumber
~Y (1994)
~K (Food) (Life)
~Q One minute you're chewing on a burger, next minute you're dead meat.
~A Jim Carrey
~F Dumb and Dumber
~Y (1994)
~K (Love)
~Q Sparks flew. . . emotions ran high. . . She actually talked to me, man.
~A Jim Carrey
~F Dumb and Dumber
~Y (1994)
~K (Accidents)
~Q They always freak out when I leave the scene of an accident.
~A Jim Carrey
~F Dumb and Dumber
~Y (1994)
~K (Departures) (Cities)
~Q We've gotta get out of this town.
~A Jim Carrey
~F Dumb and Dumber
~Y (1994)
~K (Losers)
~Q You are one pathetic loser.
~A Jim Carrey
~F Dumb and Dumber
~Y (1994)
~K (Obsessive) (Accomplishments) (Achievement)
~Q I like obsessive people -- they get things done!
~A Faye Dunaway
~F Dunston Checks In
~Y (1996)
~K (Cheese) (Food)
~Q My mother always said, "You don't have to like everything, but you have to try everything."
My mother always said, "Pass the Velveeta."
~A Campbell Scott
~A Julia Roberts
~F Dying Young
~Y (1991)
~K (Decisions)
~Q So, why'd you pick me?
~A Julia Roberts
~F Dying Young
~Y (1991)