Reel Comments: Movie Quotations From Movies Starting With C - Quotable Lines From the Movies

Reel Comments
Quotable Lines From The Movies
Movies Starting with "C"

Look beneath the following banners and links to find movie quotations from movies that start with the letter "C."

Each quotation has one or more key words (~K), the quotation itself (~Q), the name of the actor/actors (~A), the name of the film (~F), and the year the film was released (~Y).

You may use the "find" command from your pull-down "edit" feature on Internet Explorer. Type in a key word, the name of an actor, or the title of the movie to help your search for just the right quotation you're looking for.

Cabaret

Hit musical film of decadent, pre-war Berlin, based on the Kander-Ebb musical from John van Druten's play I Am a Camera, which, in turn, was based on Christopher Isherwood's novel Goodbye to Berlin. Academy Award Nominations: 10, including Best Picture, Best (Adapted) Screenplay. Academy Awards: 8, including Best Director, Best Actress--Liza Minnelli, Best Supporting Actor--Joel Grey, Best (Adapted) Song Score.

Best Of Cabaret

Best Of Cabaret

~K (Introductions)
~Q Have you a cigarette? I'm desperate.
~A Liza Minnelli
~F Cabaret
~Y (1973)
~K (Amusing)
~Q I find it tres amusant.
~A Liza Minnelli
~F Cabaret
~Y (1973)
~K (Goals) (Movies)
~Q I'm going to be a great film star; that is if booze and sex don't get to me first.
~A Liza Minnelli
~F Cabaret
~Y (1973)
~K (Welcome)
~Q Willkommen, bienvenue, welcome.
~A Joel Grey
~F Cabaret
~Y (1973)

Cable Guy

Critically panned suspense/comedy about yuppie being stalked by deranged cable repairman. Carrey fans expecting lighthearted silliness will be startled by the surprisingly dark tone, though black comedy lovers might enjoy.

~K (Teasing) (Kidding)
~Q I’m just jerking your chain.
~A Jim Carrey
~F The Cable Guy
~Y (1996)
~K (Friendship)
~Q I just don’t have any room in my life for a new friend.
~A Mathew Broderick
~F The Cable Guy
~Y (1996)

Caddyshack

A send-up of the miniature class struggle at a typical country club. Murray as the gopher-obsessed groundskeeper hits a hole in one. Features the quintessential Chevy Chase performance. ITA winner. Ramis would direct Murray 13 years later in Groundhog Day.

Caddyshack 2

In this inferior sequel, a construction tycoon is rejectected for membership at the country club. To retaliate for their snobbery, he buys it and turns it into an amusement park. This leads to a confrontation between the slobs and the snobs.

~K (Killing) (Golf)
~Q Check me if I'm wrong. . . but if I kill all the golfers, they're gonna lock me up and throw away the key.
~A Bill Murray
~F Caddyshack
~Y (1980)
~K (Money)
~Q Talking mucho dinero, here. . . and probably some American money, too.
~A Chevy Chase
~F Caddyshack II
~Y (1988)
~K (Sacrifice) (Country)
~Q Sacrifice is the key to the survival of your country.
~A Dan Aykroyd
~F Caddyshack II
~Y (1988)
~K (Prejudice)
~Q I’m afraid we already tried extreme prejudice. It didn’t work.
~A Robert Stack
~F Caddyshack II
~Y (1988)
~K )Details)
~Q In my line of work you learn it’s the details that kill you.
~A Dan Aykroyd
~F Caddyshack II
~Y (1988)
~K (Opportunity)
~Q Life's crazy. Here I am, driving along, minding my own business, when opportunity knocks.
~A Robin Williams
~F Cadillac Man
~Y (1990)
~K (Shooting)
~Q You didn't shoot a cop, you shot a foot. . . maybe just a shoe.
~A Robin Williams
~F Cadillac Man
~Y (1990)
~K (Selling)
~Q You can't sell a widow a car at her husband's funeral.
~A Robin Williams
~F Cadillac Man
~Y (1990)
~K (Bald) (Caesar)
~Q You're bald. So, that's why you wear the wreath.
~A Vivien Leigh
~F Caesar and Cleopatra
~Y (1945)

Caine Mutiny

Additional Credits: Comdr. James C. Shaw (Technical Adviser). Film debuts of Robert Francis and May Wynn.

~K (Protect)
~Q I know now they were out to protect some fellow officer.
~A Humphrey Bogart
~F The Caine Mutiny
~Y (1954)
~K (Boats)
~Q There are four ways of doing things on board my ship. The right way, the wrong way, the navy way, and my way. If they do things my way, we'll all get along.
~A Humphrey Bogart
~F The Caine Mutiny
~Y (1954)
~K (Gold)
~Q There’s no such thing as wanting a little gold. . .
~A Gordon Tootoosis
~F Call of the Wild
~ Y (1993)
~K (Romance) (Love)
~Q If I live long enough, I might get too crazy about you. . .
~A Alan Ladd
~F Calcutta
~Y (1947)
~K (Regrets)
~Q I would have hated to have killed you.
~A Alan Ladd
~F Calcutta
~Y (1947)
~K (Love)
~Q You said you were crazy about me.
Not that much.
~A Gail Russell
~A Alan Ladd
~F Calcutta
~Y (1947)
~K (Riddles)
~Q If it takes five minutes for a watermelon to water, how long will it take a sweet pea to pee? As long as it takes a pair of dice to crap. ~F California Split
~Y (1974)
~K (Winning)
~Q There was no special feeling. I just said there was.
~A George Segal
~F California Split
~Y (1974)
~K (Jinx) (Luck)
~Q Will you get outta here. You're gonna kill this streak.
~A George Segal
~F California Split
~Y (1974)
~K (Old-age)
~Q There are new lines in my face. I look like a brand-new, steel-belted radial tire.
~A Maggie Smith
~F California Suite
~Y (1978)
~K (Beauty)
~Q I always look well when I'm near death.
~A Greta Garbo
~F Camille
~Y (1936)
~K (Sentiments)
~Q I don’t suppose you can understand Monsieur, how someone, unprotected as you say I am, can be lifted above selfishness by sentiments so delicate and pure. . .
~A Greta Garbo
~F Camille
~Y (1936)
~K (Happiness)
~Q I knew I was too happy.
~A Greta Garbo
~F Camille
~Y (1936)
~K (Boredom)
~Q I’m afraid of nothing, except being bored.
~A Greta Garbo
~F Camille
~Y (1936)
~K (Life) (Love)
~Q Let me love you. Let me live for you. Don't let's ask more from Heaven than that -- God might get angry.
~A Greta Garbo
~F Camille
~Y (1936)
~K (Love)
~Q You who are so young -- where can you have learned all you know about women like me?
~A Greta Garbo
~F Camille
~Y (1936)

Canadian Bacon

In this satire on the Cold War mentality, the President of the United States and an arms manufacturer find it in their best economic interests to plant rumors of a potential nuclear attack--by our neighbors in Canada! Then, following a cross-border incident at a hockey tournament, a patriotic sheriff and his deputies plan a counter-offensive... with hilarious results. John Candy's final film from the director of ROGER & ME.

~K (Enemies)
~Q What are we gonna do for an enemy, now?
~A Alan Alda
~F Canadian Bacon
~Y (1995_
~K (Thinking) (Action)
~Q There’s a time to think and there’s a time to act. And this, gentlemen, is no time to think.
~A John Candy
~F Canadian Bacon
~Y (1995)
~K (Food) (Canada)
~Q And when have you ever heard anyone say, “Honey, let’s stay in and order Canadian food?”
~A Kevin Pollak
~F Canadian Bacon
~Y (1995)
~K (Bargaining) (Negotiations)
~Q . . . I get my lunch hour off.
That's not our deal.
I moved 286 miles for you!
Okay, one lunch.
~A Patrick Dempsey
~A Amanda Petersen
~F Can't Buy Me Love
~Y (1987)
~K (Physical abilities)
~Q I have moves that defy the laws of gravity.
~A Patrick Dempsey
~F Can't Buy Me Love
~Y (1987)
~K (Music)
~Q It's your music that's bringing all theses boys together. They ought to get down on their knees.
~A June Havoc
~F Can't Stop the Music
~Y (1980)
~K (Taste)
~Q There's no accounting for taste.
~A Tammy Grimes
~F Can't Stop the Music
~Y (1980)
~K (Commitment)
~Q . . . 14 years ago I was forced to make a commitment to a 8 x 9 cell, and now you're gonna be forced to make a commitment.
~A Robert De Niro
~F Cape Fear
~Y (1991)
~K (Opinion) (Position)
~Q You are hardly in a position to have anything to say about it.
~A Olivia de Havilland
~F Captain Blood
~Y (1935)
~K (Concessions)
~Q We give up the cargo. But, we go free!
~A Anthony Quinn
~F Caravans
~Y (1978)
~K (Sex)
~Q It's not as easy getting laid as it used to be.
~A Jack Nicholson
~F Carnal Knowledge
~Y (1971)
~K (Insults)
~Q You dirty, filthy, perverted monster! You're the meanest, cruelest, most loathsome thing I've ever met!
~A Carroll Baker
~F The Carpetbaggers
~Y (1964)

Car Wash

At Sully Boyar's car wash, a juvenile, motley crew of city dwellers work their fingers to the bone waiting on the eccentric and sometimes haughty clientele. Throughout the day, the young men find time to indulge in personal pursuits: one fellow fantasizes about the pretty waitress working at a local restaurant; a militant preaches politics while more disgruntled workers find a way to justify their laziness. But when all is said and done, it's just another day at the car wash.

~K (Beliefs)
~Q And most of all, believe in that federal green.
~A Richard Pryor
~F Car Wash
~Y (1976)
~K (Money)
~Q Cause it's better to have money and not need it than to need it and not have it.
~A Richard Pryor
~F Car Wash
~Y (1976)
~K (God)
~Q My god's doing all right by me.
~A Richard Pryor
~F Car Wash
~Y (1976)
~K (Religion) (Flim-flam)
~Q Praise the Lord. Praise the Lord.
~A Richard Pryor
~F Car Wash
~Y (1976)
~K (Automobiles)
~Q Praise this car, honey.
~A Antonio Fargas
~F Car Wash
~Y (1976)

Career Opportunities

Shot on location in Georgia from November 1989 to January 1990. Directorial debut for Bryan Gordon. John Candy performs an uncredited cameo in the film.

~K (Hiring) (Employment)
~Q I’d hire you in a minute if I hadn’t fired you so many times.
~A Danny Nelson
~F Career Opportunities
~Y (1991)
~K (Places) (St. Louis)
~Q Thousands of people over in St. Louis got no idea how full of shit you are.
~A Danny Nelson
~F Career Opportunities
~Y (1991)
~K (Trouble) (Looks)
~Q You are one good looking ball of trouble.
~A Dermot Mulroney
~F Career Opportunities
~Y (1991)
CASABLANCA - Synopsis: World War II Casablanca is the setting for this Academy Award winning classic. Humphrey Bogart is an American expatriate and war profiteer, content to merely run the Cafe Americain until love inspires him to stand up for the French Resistance. Academy Award Nominations: 8, including Best Actor--Humphrey Bogart, Best Supporting Actor--Claude Rains. Academy Awards: 3, including Best Picture, Best Director, Best (Adapted) Screenplay (Julius J. Epstein, Philip G. Epstein, Howard Koch).
Order Casablanca Now from Videoflicks
~K (Music) (Replays)
~Q Play it, Sam. Play As Time Goes By!
~A Ingrid Bergman
~F Casablanca
~Y (1942)
~K (People)
~Q I don't buy or sell human beings.
~A Humphrey Bogart
~F Casablanca
~Y (1942)
~K (Music) (Games)
~Q If she can stand it, I can -- play it.
~A Humphrey Bogart
~F Casablanca
~Y (1942)
~K (Toasts)
~Q Here's lookin' at you, kid.
~A Humphrey Bogart
~F Casablanca
~Y (1942)
~K (Women)
~Q How extravagant you are, throwing away women like that. Someday they may be scarce.
~A Claude Rains
~F Casablanca
~Y (1942)
~K (Information) (Research)
~Q I came to Casablanca for the waters.
What waters? We're in the desert.
I was misinformed.
~A Humphrey Bogart
~A Claude Rains
~F Casablanca
~Y (1942)
~K (Politics)
~Q I'm not interested in politics. The problems of the world are not in my department.
~A Humphrey Bogart
~F Casablanca
~Y (1942)
~K (Risks)
~Q I stick my neck out for nobody.
~A Humphrey Bogart
~F Casablanca
~Y (1942)
~K (Rejection)
~Q One woman has hurt you, you take your revenge on the rest of the world. You're a coward and a weakling.
~A Ingrid Bergman
~F Casablanca
~Y (1942)
~K (Love)
~Q Was that cannon fire? Or was it my heart pounding?
~A Ingrid Bergman
~F Casablanca
~Y (1942)
~K (Memory)
~Q Where were you last night?
That's so long ago I don't remember.
~A Madeline LeBeau
~A Humphrey Bogart
~F Casablanca
~Y (1942)
~K (Love)
~Q With the whole world crumbling we pick this time to tall in love.
~A Ingrid Bergman
~F Casablanca
~Y (1942)
~K (Dislike)
~Q You despise me, don't you?
Oh, if I gave you any thought, I probably would.
~A Peter Lorre
~A Humphrey Bogart
~F Casablanca
~Y (1942)
~K (Welfare)
~Q I'd sell my private parts for medical research before I went on welfare.
~A Walter Matthau
~F Casey's Shadow
~Y (1978)
~K (Foreknowledge) (Predictability)
~Q I knew this would happen. You knew this would happen.
~A Alexis Smith
~F Casey's Shadow
~Y (1978)
~K (Risk) (Bets)
~Q That's the bet.
~A Walter Matthau
~F Casey's Shadow
~Y (1978)
~K (Stupidity)
~Q What am I running here -- a home for morons?
~A Walter Matthau
~F Casey's Shadow
~Y (1978)
~K (Money)
~Q . . . what you lack is faith.
What I lack is cash.
~A Walter Matthau
~A Harry Caesar
~F Casey's Shadow
~Y (1978)
~K (New Mexico) (Greetings)
~Q When they let you out of New Mexico and what'd they set bail at?
~A Walter Matthau
~F Casey's Shadow
~Y (1978)
~K (Stupidity)
~Q You're too big to be so stupid.
~A Walter Matthau
~F Casey's Shadow
~Y (1978)
~K (Houses)
~Q Don't these big empty houses scare you?
Not me, I was in vaudeville.
~A Nydia Westman
~A Bob Hope
~F The Cat and the Canary
~Y (1939)
~K (Reincarnation) (Rebirth)
~Q Do you believe people come back from the dead?
You mean like republicans?
~A Nydia Westman
~A Bob Hope
~F The Cat and the Canary
~Y (1939)
~K (Fear)
~Q I get goose pimples. Even my goose pimples have goose pimples.
~A Bob Hope
~F The Cat and the Canary
~Y (1939)

Cat on a Hot Tin Roof

A blistering adaptation of Tennessee Williams's play features performances from Newman, Ives and Taylor that have become cinematic icons (Ives's Big daddy in acres of suit, Taylor's Maggie sprawled in her slip). A dying Southern patriarch surveys the prospects for his legacy in the hands of his sons, one a neurotic weakling and the other an alcoholic conniver, and finds them sorely lacking. Remade for television in 1984 with Jessica Lange and Tommy Lee Jones.

~K (Home)
~Q I'm not living with you. We occupy the same cage, that's all.
~A Elizabeth Taylor
~F Cat on a Hot Tin Roof
~Y (1958)
~K (Big)
~Q Big Daddy! Now what makes him so big? His big heart? His big belly? Or his big money?
~A Paul Newman
~F Cat on a Hot Tin Roof
~Y (1958)
~K (Truth)
~Q Truth is pain and sweat and paying bills and making love to a woman that you don't love any more. Truth is dreams that don't come true and nobody prints your name in the paper until you die.
~A Burl Ives
~F Cat on a Hot Tin Roof
~Y (1958)
~K (Running) (Birthdays) (Timing)
~Q Yeah, I am running, running from lies, lies like birthday congratulations and many happy returns of the day when there won’t be any. . .
~A Paul Newman
~F Cat on a Hot Tin Roof
~Y (1958)
~K (Problems)
~Q I got a problem.
~A Edward James Olmos
~F Caught
~Y (1997)
~K (Lust)
~Q Make my day.
~A Maria Conchita Alonso
~F Caught
~Y (1997)
~K (Death) (Meetings)
~Q At our last meeting, I died. It alters the appearance.
~A Deborah Kerr
~F The Chalk Garden
~Y (1964)
~K (Old-age)
~Q Well, at least age does give tone to certain things -- violins, old wine, old friends to drink it with.
~A Edith Evans
~F The Chalk Garden
~Y (1964)
~K (Boxing)
~Q The fight business stinks.
~A Paul Stewart
~F Champion
~Y (1949)
~K (Applause)
~Q For the first time in my life, people cheering for me. Were you deaf? Didn’t you hear ‘em? We’re not hitchhiking any more. We’re riding.
~A Kirk Douglas
~F Champion
~Y (1949)
~K (Future) (Plans)
~Q I'm going to get somewhere, make money, take care of the old lady. I'm not going to be a "Hey, you," all my life. I want to hear people call me mister. I'm going to make something of myself.
~A Kirk Douglas
~F Champion
~Y (1949)
~K (Oppressed)
~Q I'm tired of being pushed around!
~A Kirk Douglas
~F Champion
~Y (1949)
~K (Business) (Boxing)
~Q It’s like any other business, only here the blood shows.
~A Kirk Douglas
~F Champion
~Y (1949)
~K (Beauty) (Physical ability) (Art)
~Q I suppose you know you have a wonderful body. I'd like to do it in clay.
~A Lola Albright
~F Champion
~Y (1949)
~K (Boxing)
~Q This is the only sport in the world where two guys get paid for doing something they’d be arrested for if they got drunk and did it for nothing.
~A Paul Stewart
~F Champion
~Y (1949)
~K (Good)
~Q You're going to be a good little girl or I'm going to put you in the hospital for a long, long time.
~A Kirk Douglas
~F Champion
~Y (1949)
~K (Frustration)
~Q You were hitting a lot of guys. . . all the guys who ever hurt you.
~A Arthur Kennedy
~F Champion
~Y (1949)
~K (Boxing)
~Q You know, the human body wasn’t made for the sole benefit of the fight game. You hit a man in the head hard enough and long enough or just once, and you can either scramble his brains or maybe kill him. And for what? To fill a hall? To win bets for somebody you don’t even know? What does it prove? Is that a way to make a living?
~A Paul Stewart
~F Champion
~Y (1949)
~K (Sex)
~Q Help me, I don't want to be half a woman.
~A Jane Fonda
~F The Chapman Report
~Y (1962)
~K (Marriage) (Lust) (Sex)
~Q I really wanted my husband, but I wanted everyone else too.
~A Claire Bloom
~F The Chapman Report
~Y (1962)
~K (Sex)
~Q You're not the first woman to find the physical act repellent.
~A Efrem Zimbalist, Jr.
~F The Chapman Report
~Y (1962)
~K (Edge)
~Q I can find you another two yards.
~A Ian Holm
~F The Chapman Report
~Y (1962)
~K (Running) (Achievement)
~Q I believe God made me for a purpose. But he also made me fast. When I run, I feel His pleasure.
~A Ian Charleson
~F Chariots of Fire
~Y (1981)
~K (Stupidity) (Bad Planning)
~Q Only very foolish mouse make a nest in cat's ear.
~A Sidney Toler
~F Charlie Chan at the Wax Museum
~Y (1940)
~K (Wasted effort) (Morons)
~Q I didn't travel 600 miles for the amusement of morons.
~A Joe Don Baker
~F Charlie Varrick
~Y (1973)
~K (Orders) (Suggestions)
~Q Just one time, surprise me and do what I say.
~A Walter Matthau
~F Charlie Varrick
~Y (1973)
~K (Tone) (Voice) (Speak) (Condescending)
~Q Very few people speak to me in that tone.
~A Joe Don Baker
~F Charlie Varrick
~Y (1973)
~K (Height) (Support)
~Q It's a long way down, but you're not gonna drop me.
~A Elvis Presley
~F Charro
~Y (1969)
~K (Reasons)
~Q You got me here for a reason, now what is it?
~A Elvis Presley
~F Charro
~Y (1969)
~K (Irritation) (Nerves)
~Q You are really starting to get on my nerves.
~A Charlie Sheen
~F The Chase
~Y (1994)
~K (Dreams)
~Q I'm sure it will stay in our dreams long after.
~A Terrence Kelly
~F Chatauqua Girl
~Y (1986)
~K (Leadership)
~Q Can you cure the illnesses of your people with cruelty and oppression?
~A Omar Sharif
~F Che!
~Y (1969)
~K (Mistakes)
~Q You've committed every blunder in the book.
~A Jack Palance
~F Che!
~Y (1969)
~K (Illness) (Qualifications)
~Q There must be something wrong with me.
~A Jeff Daniels
~F Checking Out
~Y (1989)
~K (Food)
~Q Well, I suppose we'll have to feed the duchess. Even vultures have to eat.
~A Shirley MacLaine
~F The Children's Hour
~Y (1961)

Child's Play

A new birthday doll begins to operate without batteries when it becomes possessed by the spirit of a vicious murderer and resumes a nasty reign of terror.

Child's Play 2

Chucky is back! After the fire, the toy factory wanted to dispel the bad publicity. Boy are they in for a surprise! He's back on Andy's trail and this time he intends to win.

~K (Friends)
~Q . . . I'm your friend 'til the end. Hi-di-ho! Ha! Ha! Ha!
~A Brad Dourif
~F Child's Play
~Y (1988)
~K (Soul)
~Q I told you he'd find me. He tried to take over my soul.
~A Alex Vincent
~F Child's Play II
~Y (1991)
~K (Games) (Friends)
~Q Surprise! Did you miss me. . . I sure missed you. I told you we were gonna be friends 'til the end, and now its time to play.
~A Brad Dourif
~F Child's Play II
~Y (1991)
~K (Apprehension)
~Q I can feel it. . .
~A Jack Lemmon
~F The China Syndrome
~Y (1979)
~K (Clues) (Real estate)
~Q He passed away two weeks ago and he bought the land a week ago. . . that's unusual.
~A Jack Nicholson
~F Chinatown
~Y (1974)
~K (Low-life) (Vermin)
~Q Well, I don’t favor talkin’ to vermin, but I’ll talk to you just this once.
~A John Wayne
~F Chisum
~Y (1970)
~K (Example) (Proof) (Skepticism)
~Q Okay, show me.
~A Keith Gordon
~F Christine
~Y (1983)
~K (Happiness)
~Q I don't deserve to be so happy. I can't help it. I just can't help it.
~A Alastair Sim
~F A Christmas Carol
~Y (1951)
~K (Delirious)
~Q I don't know what to do.
~A Alastair Sim
~F A Christmas Carol
~Y (1951)
~K (Acrobatics)
~Q I must stand on my head.
~A Alastair Sim
~F A Christmas Carol
~Y (1951)
~K (Children)
~Q What an enchanting boy.
~A Alastair Sim
~F A Christmas Carol
~Y (1951)
~K (Marriage)
~Q I find it hard to believe you are married.
~A Dennis Morgan
~F Christmas in Connecticut
~Y (1945)
~K (Beauty)
~Q Nice firm rump.
~A Dennis Morgan
~F Christmas in Connecticut
~Y (1945)
~K (Feelings)
~Q Oh, I feel wonderful, Darling. How about you?
~A Barbara Stanwyck
~F Christmas in Connecticut
~Y (1945)
~K (Coffee)
~Q If you can't sleep at night, it isn't the coffee, it's the bunk.
~A Dick Powell
~F Christmas in July
~Y (1940)
~K (Direction) (Atlantic) (Flying)
~Q Which way is the Atlantic Ocean?
~A Katherine Hepburn
~F Christopher Strong
~Y (1933)
~K (Negotiations)
~Q Are you gonna say "no" before we've even discussed it?
~A Rip Torn
~F The Cincinnati Kid
~Y (1965)
~K (Cards) (Games) (Competition)
~Q I don't need marked cards to beat you, pal.
~A Steve McQueen
~F The Cincinnati Kid
~Y (1965)
~K (Curiosity)
~Q I'm not that curious.
~A Edward G. Robinson
~F The Cincinnati Kid
~Y (1965)
~K (Magic)
~Q Put them together and what have you got? Bibbidee, bobbidee, boo.
~A The Fairy God Mother
~F Cinderella
~Y (1950)

Circle of Friends

In this sentimental study of life, friendship and romance, three girlhood chums attend college together. One, a straightforward, rather plain lass, sets her sights on the best-looking boy in school and their tender relationship belies their differences. Based on a novel by Maeve Binchy.

~K (Offers)
~Q Give me a hundred and we'll call it quits.
~A Alan Cumming
~F Circle of Friends
~Y (1995)
~K (Happiness) (Sarcasm)
~Q Well, I'm very glad for you.
~A Minnie Driver
~F Circle of Friends
~Y (1995)
~K (Love)
~Q You're the one. I couldn't love any one else.
~A Chris O'Donnell
~F Circle of Friends
~Y (1995)
~K (Wealth)
~Q I always gagged on that silver spoon.
~A Orson Welles
~F Citizen Kane
~Y (1941)
~K (Youth)
~Q I am in search of my youth.
~A Orson Welles
~F Citizen Kane
~Y (1941)
~K (Loneliness)
~Q I guess we're both lonely people.
~A Orson Welles
~F Citizen Kane
~Y (1941)
~K (Careers)
~Q I run a couple of newspapers. What do you do?
~A Orson Welles
~F Citizen Kane
~Y (1941)
~K (old age)
~Q Old age. . . it's the only disease you don't look forward to being cured of.
~A Everett Sloane
~F Citizen Kane
~Y (1941)
~K (Romance) (Love)
~Q She was carrying a white parasol. I only saw her for one second. She didn't see me at all, but I'll bet a month hasn't gone by since, that I haven't thought of that girl.
~A Everett Sloane
~F Citizen Kane
~Y (1941)
~K (Memory)
~Q That's one of the greatest curses of the human race, memory.
~A Joseph Cotten
~F Citizen Kane
~Y (1941)
~K (Love)
~Q You never really gave anybody anything in your whole life. . . you just tried to buy me into giving you something. You don't love me, you just want me to love you. . .
~A Dorothy Comingore
~F Citizen Kane
~Y (1941)
~K (Travel)
~Q You won't like it in Chicago. . . the wind comes howling off the lake and gosh only knows if they heard of Lobster Newburg.
~A Orson Welles
~F Citizen Kane
~Y (1941)
~K (Winners) (Victory)
~Q To the victor belong the spoils.
~A Anthony Quinn
~F City Beneath the Sea
~Y (1953)
~A (Advice)
~Q Be brave! Face life!
~A Charlie Chaplin
~F City Lights
~Y (1930)
~K (Support) (Security) (Protection)
~Q I’m my own police.
~A Harvey Keitel
~F City of Industry
~Y (1997)

City Slickers

When a thoroughly urbanized executive is struggling to find meaning in his life, his two best friends find the perfect cure: a fantasy cowboy vacation. The three friends then rope and ride their way down a trail that leads to a better understanding of themselves and each other. Academy Awards: Best Supporting Actor--Jack Palance.

~K (Skin) (Faces) (Wrinkles)
~Q Did you see how leathery he was? He was like a saddle bag with eyes.
~A Billy Crystal
~F City Slickers
~Y (1991)
~K (Maturity)
~Q Have you ever reached the point in your life where you say to yourself, “This is the best I’m ever going to look, the best feel, the best I’m ever going to do,” and it ain’t that great?
~A Billy Crystal
~F City Slickers
~Y (1991)
~K (Maturity) (Hair) (Baldness)
~Q I’m losing hair where I want hair, and getting hair where there shouldn’t be hair.
~A Billy Crystal
~F City Slickers
~Y (1991)
~K (Vacation)
~Q I’m on vacation.
~A Billy Crystal
~F City Slickers
~Y (1991)
~K (Appearances) (Fashion)
~Q I think you look like one of the Village People.
~A Billy Crystal
~F City Slickers
~Y (1991)
~K (Surprises)
~Q You know, this was not in the brochure.
~A Billy Crystal
~F City Slickers
~Y (1991)
~K (Men)
~Q Aren't there any more comfortable men in this world? Now, they're all little and nervous like sparrows or big and worried like sick bears. Men!
~A Barbara Stanwyck
~F Clash by Night
~Y (1952)
~K (Beauty) (Ugliness)
~Q Her reflection can not harm you. Never look her in the face.
~A Harry Hamlin
~F Clash of the Titans
~Y (1981)
~K (Attention) (Speaking)
~Q Raise your voice and people listen.
~A Christopher Martin
~F Class Act
~Y (1993)

Clean and Sober

A real-estate salesman whose addiction to drugs and alcohol is destroying his life, reluctantly enters a detoxification program. Along with his physical recovery, he begins his emotional recuperation when he falls for a fellow patient.

~K (Addiction)
~Q I got this startling belief that I am an alcoholic and a drug addict. . . God knows what we got going next month, but if it's anything like this last one. . .
~A Michael Keaton
~F Clean and Sober
~Y (1988)

Clear and Present Danger

Tom Clancy's bestseller has Jack Ryan acting as Head of the CIA when his mentor Admiral Greer falls prey to cancer. On his watch, the President of the United States orders a covert operation to attack some South American druglords responsible for a friend's death. Ryan, who swears before Congress not to engage in covert action, must choose between loyalty and integrity. Academy Award Nominations: 2.

Tom Clancy Thrillers Gift Set

Three Jack Ryan thrillers from novelist Tom Clancy. PATRIOT GAMES (1992), THE HUNT FOR RED OCTOBER (1990), and CLEAR AND PRESENT DANGER (1994) are included.

~K (Lost and found)
~Q I came here to find you.
~A Harrison Ford
~F Clear and Present Danger
~Y (1994)
~K (Word)
~Q Your word is who you are.
~A James Earl Jones
~F Clear and Present Danger
~Y (1994)

Cleopatra 1963

Special 3 Disc Set. This epic, spectacular love story of Egyptian queen Cleopatra and the Roman leaders Julius Caesar and Marc Antony has dazzled audiences with its elaborate sets, daring costumes, and thrilling sea battle since its release, but these can't compare with Elizabeth Taylor as the mesmerizing Cleopatra, struggling to save her Egyptian empire. When this film was released, it was known as much for its opulent filmmaking as it was for huge budget overruns--it took two years to film be

~K (Silence)
~Q There has never been such a silence. . .
~A Elizabeth Taylor
~F Cleopatra
~Y (1963)
~K (Beautiful)
~Q You grow more beautiful each time I see you.
~A Rex Harrison
~F Cleopatra
~Y (1963)
~K (Kindness)
~Q And, that single act of kindness changed my life.
~A Martin Short
~F Clifford
~Y (1994)
~K (Lost and found) (Boy) (Runaways)
~Q Have you seen this boy?
~A Charles Grodin
~F Clifford
~Y (1994)
~K (Dreams) (Loneliness)
~Q If you destroy everyone who stands in the way of your dreams, you end up alone.
~A Martin Short
~F Clifford
~Y (1994)
~K (Disbelief)
~Q Ah! As if!
~A Alicia Silverstone
~F Clueless
~Y (1995)
~K (Fashion) (Clothes)
~Q Shopping with Dr. Seuss?
~A Alicia Silverstone
~F Clueless
~Y 1995
~K (Greatness)
~Q Greatness is overrated.
~A Lolita Davidovich
~F Cobb
~Y (1994)
~K (Life) (Diplomatic)
~Q Life's too short to be diplomatic.
~A Robert Wuhl
~F Cobb
~Y (1994)
~K (Truth) (Whore)
~Q Truth is a whore.
~A Tommy Lee Jones
~F Cobb
~Y (1994)
~K (Manners) (Sickness)
~Q We're all sick in the eyes of the Lord, but some of us have manners.
~A Lolita Davidovich
~F Cobb
~Y (1994)

COCKTAIL

COCKTAIL

~K (Drinking)
~Q America you're just devoted to every flavor I've got. . . but if you want to get loaded, why don't you just order a shot?
~A Tom Cruise
~F Cocktail
~Y (1988)
~K (Drinking)
~Q I see America drinking the fabulous cocktails I make. America is getting stinking on something I stir or shake.
~A Tom Cruise
~F Cocktail
~Y (1988)
~K (Service)
~Q My worthless, useless services are at your disposal.
~A Tom Cruise
~F Cocktail
~Y (1988)
~K (Luck) (Ability) (Drinking)
~Q Relax, the luck is gone, the brain is shot, but the liquor we still got.
~A Bryan Brown
~F Cocktail
~Y (1988)
~K (Sex) (Foreplay)
~Q If this is foreplay, I'm a dead man.
~A Steve Guttenberg
~F Cocoon
~Y (1985)

Color of Money

Newman recreates his role of Fast Eddie Felson, the pool hustler who believes the game ain't about pool... It's about money! He forms a partnership with a young hot shot and through tutoring, Eddie re-discovers his own passion for the game. Academy Award Nominations: 4, including Best (Adapted) Screenplay. Academy Awards: Best Actor--Paul Newman.

~K (Knowledge) (Judgment)
~Q You don't know what to do, do you? I mean, maybe I'm hustling you, maybe I'm not. You don't know, but you should know!
~A Paul Newman
~F The Color of Money
~Y (1986)
~K (Character) (Quirky)
~Q . . . you're an incredible flake. . . but that's a gift. Some guys spend half their lives trying to invent something like that.
~A Paul Newman
~F The Color of Money
~Y (1986)
~K (Paranoid)
~Q She's a little paranoid.
~A Michael Douglas
~F Coma
~Y (1978)
~K (Bottom) (Goals)
~Q Once you hit bottom, there's only one way to go. . . and that's up.
~A James Cagney
~F Come Fill the Cup
~Y (1951)
~K (Enemy)
~Q I am not the enemy. You know the enemy is the fucking war.
~A Bruce Dern
~F Coming Home
~Y (1978)
~K (Suicide)
~Q If we want to commit suicide we have plenty of reasons to do it right here at home.
~A Jon Voight
~F Coming Home
~Y (1978)
~K (Soldiers)
~Q I have killed for my country. . . and I don't feel good about it.
~A Jon Voight
~F Coming Home
~Y (1978)
~K (Sight) (Sex)
~Q I want to see you.
~A Jon Voight
~F Coming Home
~Y (1978)
~K (Sex) (Kinky)
~Q You aren't one of these women that gets turned on by gimps?
~A Jon Voight
~F Coming Home
~Y (1978)
~K (Romance)
~Q You know there's not an hour goes by that I don't think of making love with you.
~A Jon Voight
~F Coming Home
~Y (1978)
~K (Wisdom)
~Q Forgive me, Madam, but we are both seeking the same wisdom.
~A Philp Martin Brown
~F Coming Through
~Y (1985)
~K (Impressions) (Memories)
~Q He haunts this place.
~A Alison Steadman
~F Coming Through
~Y (1985)
~K (Promises)
~Q I can promise you nothing.
~A Kenneth Branagh
~F Coming Through
~Y (1985)
~K (Words)
~Q I always find the right word.
~A Kenneth Branagh
~F Coming Through
~Y (1985)
~K (Music)
~Q I shall find the music of this valley.
~A Kenneth Branagh
~F Coming Through
~Y (1985)
~K (Truth)
~Q You can't tell the truth without drawing blood.
~A Kenneth Branagh
~F Coming Through
~Y (1985)
~K (Bullshit) (Consultants) (Researchers)
~Q You're a bullshit merchant.
~A Alison Steadman
~F Coming Through
~Y (1985)
~K (Fathers) (Forefathers)
~Q I didn't have four fathers.
Sure you did.
Well, if I did, only one came home nights.
~A Lou Costello
~A Bud Abbott
~F Comin' Round the Mountain
~Y (1951)
~K (Lies)
~Q Remember. . . when I promised to kill you last? I lied.
~A Arnold Schwarzenegger
~F Commando
~Y (1985)
~K (Pain)
~Q I suppose nothing hurts you.
Only pain.
~A Sarah Douglas
~A Arnold Schwarzenegger
~F Conan the Destroyer
~Y (1984)
~K (Right) (Correct)
~Q I think you're right.
~A Arnold Schwarzenegger
~F Conan the Destroyer
~Y (1984)
~K (Dreams)
~Q I will have my own kingdom. . . my own queen.
~A Arnold Schwarzenegger
~F Conan the Destroyer
~Y (1984)
~K (Thieves)
~Q Thieves should be hanged.
~A Wilt Chamberlain
~F Conan the Destroyer
~Y (1984)
~K (Charity) (Profits)
~Q What are we some charitable institution?
~A Tracey Walter
~F Conan the Destroyer
~Y (1984)
~K (Women)
~Q I'm chasing a woman.
~A Chester Morris
~F Confessions of Boston Blackie
~Y (1942)
~K (Cigars)
~Q Those lousy cigars you smoke are ruining your wind.
~A Chester Morris
~F Confessions of Boston Blackie
~Y (1942)
~K (Observation)
~Q We are watching you.
~A Tim Curry
~F Congo
~Y (1995)
~K (Supplies) (Endangered)
~Q Put them on the endangered species list.
~A Laura Linney
~F Congo
~Y (1995)
~K (Destiny)
~Q For good or ill -- she is my destiny.
~A John Wayne
~F The Conqueror
~Y (1955)
~K (Instinct)
~Q There are moments for wisdom and moments when I listen to my blood. . .
~A John Wayne
~F The Conqueror
~Y (1955)
~K (Desire)
~Q While I live, while my blood burns hot, your daughter is not safe in her tent.
~A John Wayne
~F The Conqueror
~Y (1955)
~K (Untamed)
~Q Yes, he captured me -- but he cannot tame me.
~A Susan Hayward
~F The Conqueror
~Y (1955)
~K (Gods) (Exaltation) (Happiness)
~Q I like gods. I like them very much. I know exactly how they feel. Exactly.
~A Jack Palance
~F Contempt
~Y (1963)

Conversation

This haunting film focuses on Harry Caul, a detached and paranoid surveillance expert who finds himself becoming a victim of the same modern technology he uses to destroy others. It begins with a seemingly routine job trailing an unfaithful wife and her lover. But when Harry visits the husband's office to deliver the incriminating tapes he's made of the couple, his client's assistant tries to intercept him. Harry refuses to hand over the recordings and suddenly discovers that he may have capture

~K (Personal things)
~Q I would be perfectly happy to have all my personal things burn up in a fire because I don't have anything personal -- nothing of value. . . nothing personal except my keys. . .
~A Gene Hackman
~F The Conversation
~Y (1974)
~K (Curiosity)
~Q Listen, if there's one surefire rule that I have learned in this business it's that I don't know anything about curiosity. That's not part of what I do.
~A Gene Hackman
~F The Conversation
~Y (1974)

Cool Hand Luke

A social misfit is incarcerated for a petty crime and sentenced to a chain gang in this classic prison drama set in the Deep South. Luke is a sullen and laconic young man whose cool defiance of the sadistic wardens and bullying inmates earns him the title Cool Hand Luke. But as the prisoners' respect for Luke grows into hero worship, he finds that he must risk everything in order to live up to their expectations.

~K (Communication)
~Q What we have here is a failure to communicate.
~A Strother Martin
~F Cool Hand Luke
~Y (1967)

Cops And Robbersons

Director Michael Ritchie teams up once again with FLETCH star Chevy Chase for this lighthearted comedy about a police officer who gets in over his head after he's forced to move in with a suburban family. When tough veteran cop Jake Stone (Jack Palance) and his rookie partner, Tony Moore (David Barry Gray), arrive at the doorstep of the mildly dysfunctional Robbersons in order to stake out a criminal living next door, he has no idea what he's getting into. Norman Robberson (Chase) is a bumbling

~K (Guns)
~Q Drop the gun and don't make Mommy tell you twice.
~A Dianne Wiest
~F Cops and Robbersons
~Y (1994)
~K (Advice)
~Q I don't want to hear another word out of you.
~A Jack Palance
~F Cops and Robbersons
~Y (1994)
~K (Hunch) (Ideas)
~Q It was a hunch.
~A Jack Palance
~F Cops and Robbersons
~Y (1994)
~K (Confusion)
~Q . . . the pellet with the poison's in the flagon with the dragon, the vessel with the pestle has the brew that is true.
~A Danny Kaye
~F The Court Jester
~Y (1955)
~K (Women) (Work)
~Q Just think of her as a work in progress.
~A Ted Danson
~F Cousins
~Y (1989)
~K (Beauty)
~Q Do I look all right?
Do stars twinkle?
~A Sean Young
~A Ted Danson
~F Cousins
~Y (1989)
~K (Effort) (Pantyhose) (Difficulties) (Fashion)
~Q Have you ever tried to put pantyhose on with wet nails?
~A Sean Young
~F Cousins
~Y (1989)
~K (Decisions) (Friends) (Lovers)
~Q We could be friends, or we could be lovers.
~A Ted Danson
~F Cousins
~Y (1989)
~K (Opinions) (Abilities)
~Q I’ve always been nice to you.
Never.
Then how come you had sex with me?
Cause I thought you were intelligent and going somewhere with your life. Humph! But I’ve had cause to reconsider my first opinion.
~A William Petersen
~A Sean Young
~F Cousins
~Y (1989)
~K (Disappointment)
~Q It seems someone here is intent on ruining my evening.
~A Christopher Plummer
~F Crackerjack
~Y (1994)
~K (Orders)
~Q Never question my orders.
~A Christopher Plummer
~F Crackerjack
~Y (1994)
~K (Partners) (Family) (Friends)
~Q I guess we're all just stuck with each other.
~A Beverly D'Angelo
~F The Crazysitter
~Y (1995)
~K (Protection)
~Q I'm never gonna let anything happen to you, again.
~A Beverly D'Angelo
~F The Crazysitter
~Y (1995)
~K (Children)
~Q I want my children back.
~A Beverly D'Angelo
~F The Crazysitter
~Y (1995)
~K (Secret) (Work) (Science)
~Q My work is secret.
~A William G. Schilling
~F The Crazysitter
~Y (1995)
~K (Sad)
~Q That's the saddest story I've ever heard.
~A Beverly D'Angelo
~F The Crazysitter
~Y (1995)
~K (Money) (Riches) (Poor)
~Q The way things are going I'll always be poor.
~A Beverly D'Angelo
~F The Crazysitter
~Y (1995)
~K (People) (Caring)
~Q When did you start caring for people?
~A Eric Allen Kramer
~F The Crazysitter
~Y (1995)
~K (Security)
~Q You trying to keep the bad guys out?
~A Eric Allen Kramer
~F The Crazysitter
~Y (1995)
~K (Enough) (Quit)
~Q Enough is enough. We must get out of here.
~A Richard Carlson
~F Creature From the Black Lagoon
~Y (1954)
~K (Human) (Looks)
~Q It looked human!
~A Richard Carlson
~F Creature From the Black Lagoon
~Y (1954)
~K (Scientists)
~Q We're supposed to be scientists.
~A Richard Carlson
~F Creature From the Black Lagoon
~Y (1954)
~K (Gratitude) (Life)
~Q I feel a great gratitude to my life, which gives me so much.
~A Kari Sylwan
~F Cries and Whispers
~Y (1973)
~K (Common)
~Q We have a lot in common, don't we?
Common is right.
~A Faye Emerson
~A Jane Wyman
~F Crime by Night
~Y (1944)
~K (Wives) (Personality)
~Q Say, doctor. I'd like to have you see my wife.
Split personality?
No personality.
~A William Frawley
~A Warner Baxter
~F Crime Doctor's Man Hunt
~Y (1946)
~K (Teenagers) (Delinquents) (Scared)
~Q It's because you're scared to death of us. It's because you shake in your pants every time you see us in the streets.
~A John Cassavetes
~F Crime in the Streets
~Y (1956)
~K (Discussion) (Talk)
~Q We try to understand. We try to remember that kids don't get that way without good reason. We listen, we sympathize, and we talk. It's not easy, but it's the only way we can work.
~A James Whitmore
~F Crime in the Streets
~Y (1956)
~K (Kids) (Teenagers)
~Q We're not talking about wild animals. We're talking about tough, angry kids. You can beat 'em up, they just get stronger and tougher. You send 'em to jail, maybe you wreck 'em for good. Those aren't the answers. . .
~A James Whitmore
~F Crime in the Streets
~Y (1956)
~K (Good) (Bad)
~Q You can't tell a kid to be good. He's got too many reasons to be bad.
~A James Whitmore
~F Crime in the Streets
~Y (1956)
~K (Bad days)
~Q Why did you put your head in the oven?
Oh, I don't know. . . I'm having a bad day -- it's been a real bad day.
~A Jessica Lange
~A Sissy Spacek
~F Crimes of the Heart
~Y (1986)

Crimson Tide

When the reactionary Russian right-wing threatens the United States with nuclear warfare, the US Navy retaliates by sending out the USS Alabama, a state-of-the-art submarine equipped with nuclear weapons. Capt. Frank Ramsey, the submarine's commanding officer and veteran soldier, selects the Harvard-educated Lt. Commander Ron Hunter as his executive officer, and the submarine sets off into the Pacific Ocean. While submerged, Ramsey receives only a partial message from headquarters -- which may o

~K (Error) (Wrong) (Judgment)
~Q God help you if you’re wrong.
~A Gene Hackman
~F Crimson Tide
~Y (1995)
~K (Duty) (Obligation) (Orders)
~Q You repeat this order, or I'll find somebody who will.
~A Gene Hackman
~F Crimson Tide
~Y (1995)
~K (Solitude) (Alone) (Dogs)
~Q A dog should live alone, not people.
~A Reizl Bozyk
~F Crossing Delancey
~Y (1988)
~K (Listening) (Talking)
~Q First you'll listen, then you talk.
~A Reizl Bozyk
~F Crossing Delancey
~Y (1988)
~K (Talking)
~Q Give your mouth a rest -- it'll thank you.
~A Reizl Bozyk
~F Crossing Delancey
~Y (1988)
~K (Calm) (Composed) (Cool)
~Q I am not, repeat not, holding my breath.
~A Amy Irving
~F Crossing Delancey
~Y (1988)
~K (Clothing) (Fashion)
~Q The important thing is you shouldn't go naked.
~A Reizl Bozyk
~F Crossing Delancey
~Y (1988)
~K (Gifts) (Romance)
~Q It fits.
Almost as if I were in the store with you.
You were.
~A Peter Reigert
~A Amy Irving
~F Crossing Delancey
~Y (1988)
~K (Love) (Lust) (Romance)
~Q It reads like pulp fiction, and then you hear music.
~A Amy Irving
~F Crossing Delancey
~Y (1988)
~K (Apologies)
~Q I said some really stupid things to you the other day. I'd like to make it up.
~A Amy Irving
~F Crossing Delancey
~Y (1988)
~K (Choices) (Decisions)
~Q She's a lovely girl. She opens her eyes. She looks around. She meets a fella with a little help.
~A Sylvia Miles
~F Crossing Delancey
~Y (1988)
~K (Style)
~Q This isn't your style.
This isn't my style.
Sometimes you can change your style.
~A Peter Reigert
~A Amy Irving
~F Crossing Delancey
~Y (1988)
~K (Searching) (Shopping)
~Q This man's just looking, he ain't askin' to buy.
~A Reizl Bozyk
~F Crossing Delancey
~Y (1988)
~K (Knowledge) (Information)
~Q What do you want to know?
Your future, your plans, what you dream about, your thoughts, what you do with yourself, anything.
~A Peter Reigert
~A Sylvia Miles
~F Crossing Delancey
~Y (1988)
~K (Adventure) (Open-minded)
~Q Ya look, ya meet, ya try, sometimes it fits, sometimes it don't.
~A Sylvia Miles
~F Crossing Delancey
~Y (1988)
~K (Needed) (Usefull)
~Q You know, Darling, sometimes I sit here feeling sort of useless.
~A Hedy Lamar
~F Crossroads
~Y (1942)
~K (Education)
~Q I don’t think you’ll prove any different from anybody else. You got a lot to learn.
I hope so.
~A Margaret Sullavan
~A Ann Southern
~F Cry Havoc
~Y (1943)
~K (Sanity)
~Q We’ve found, it doesn’t pay to sympathize with a crack-up.
~A Margaret Sullavan
~F Cry Havoc
~Y (1943)
~K (Busy)
~Q Can't you understand that madam doesn't feel like going shrimping with you!
~A Lionel Stander
~F Cul-de-Sac
~Y (1966)
~K (Chicks)
~Q I don't dig chicks like you.
~A Lionel Stander
~F Cul-de-Sac
~Y (1966)
~K (Discussions) (Talking) (Communication)
~Q Couldn’t you come down here so I can talk to you?
~A Shirley Temple
~F Curly Top
~Y (1938)
~K (Food) (Cooking)
~Q I like to make things to eat. And, I especially like to eat them.
~A Shirley Temple
~F Curly Top
~Y (1938)
~K (Maps)
~Q Give me the map.
~A Geena Davis
~F Cutthroat Island
~Y (1994)
~K (Latin) (Talking)
~Q Stop your chatter and say something Latinish.
~A Geena Davis
~F Cutthroat Island
~Y (1994)

CYRANO DE BERGERAC

DVD Features: Region 0 Snap Case Full Frame - 1.33 Audio: Dolby Digital Stereo - Englis

~K (Courage)
~Q Raise your right hand, all who wish to die.
~A Gerard Depardieu
~F Cyrano de Bergerac
~Y (1990)
~K (Attitude)
~Q I like to displease and be hated.
~A Gerard Depardieu
~F Cyrano de Bergerac
~Y (1990)
~K (Independence)
~Q Perhaps, I’ll not get far. But, I’ll get there alone.
~A Gerard Depardieu
~F Cyrano de Bergerac
~Y (1990)
~K (Poets) (Poetry) (Creative)
~Q In a poet’s pocket, you often find the product of an active mind.
~A Gerard Depardieu
~F Cyrano de Bergerac
~Y (1990)
~K (Past)
~Q I breathe the perfume of the past.
~A Anne Brochet
~F Cyrano de Bergerac
~Y (1990)
~K (Writing) (Poetry)
~Q This paper is my voice. This ink, my blood. This letter is me.
~A Anne Brochet
~F Cyrano de Bergerac
~Y (1990)
~K (Romance)
~Q I’m but a shadow. You are the light.
~A Gerard Depardieu
~F Cyrano de Bergerac
~Y (1990)
~K (Inspiration)
~Q I’m gripped by lightning and thunder.
~A Gerard Depardieu
~F Cyrano de Bergerac
~Y (1990)